(2) 4-6 Sixth grader Joseph Oaks claims he isn't a superhero (even if he did fly like Superman once): "I don't have any special powers -- unless / you count my ability to be invisible, / and to survive." Joe's mother gets what he calls "The Itch" and disappears for "days. / Weeks. / Months. / You never know when she'll take off / or when she'll come back." Thus, Joe "know[s] a lot of things / kids shouldn't / have / to know," including housing insecurity (Joe and Grandmum live in her car), poverty, and hunger. Things start to look up when they find "The Overripe Banana," a mobile home in King of the Castle Mobile Home Park. Once settled in, Joe considers his favorite possession, the quilt Grandmum made years ago: he understands that "Grandmum's the thread / holding her, Mom, and me, / separate pieces so different from each other, / together / as a family." Supporting characters, including Joe's teacher, his friends Nick and Hakeem, and the mobile home park's compassionate owner, are well drawn and vividly portrayed. As in Starfish (rev. 5/21), Fipps uses short lines, lots of white space, and an engaging first-person voice to carry the story. A fine example of how a novel in verse can be the perfect vehicle for getting inside the head of a character and creating empathy for what it's like to be him.

Reviewer: Dean Schneider | Horn Book Magazine Issue: May, 2024

(2) 4-6 Since she was five, Ellie (now eleven) has lived by a list of Fat Girl Rules: "Make yourself small"; "Move slowly so / your fat doesn't jiggle"; "When you hear laughter, / someone's laughing at you." She only feels comfortable in her body when she's swimming or spending time with her dog or her similarly fat best friend, Viv. But when Viv moves away, Ellie is alone in facing the sixth-grade bullies, who call her a whale, slam doors in her face, and--horrifyingly--loosen the screws on her desk so it collapses. It's not much better outside of school, where strangers make rude comments, or at home, where her mother posts dieting articles on the fridge and even takes her to see a bariatric surgeon without her consent. (If it all seems too cruel to be realistic, an author's note explains that these experiences are based on Fipps's own.) Luckily, Ellie has the support of her dad, a new friend, and an understanding therapist who teaches her to stand up for herself. Ellie's simple and powerful free-verse poems intensify her emotional turmoil and smoothly destroy stereotypes ("They think I'm unhappy / because I'm fat. / The truth is, / I'm unhappy because / they bully me / about being fat"). Her strength in accepting herself and learning to defy her Fat Girl Rules is an inspiring reminder to all readers that they deserve to "take up space."

Reviewer: Rachel L. Smith | Horn Book Magazine Issue: May, 2021