(1) 4-6 Illustrated by Charly Palmer. In a reverent celebration of African American music, Alexander's lyrical free-verse text flows through different eras and genres of sound. This musical tour begins in Africa: "Listen to the fireside chorus / of the motherland / to the talking drums / dancing beneath the golden sun / that beat a bold tapestry / of yesterday's stories / and tomorrow's dreams." From there, the exploration honors the hymns and hopes of enslaved people, gospel music ("Listen to the Amazing Grace / of the Jubilee Singers / to the joyful noise / of Sunday morning gospel / and Let the Church Say /Amen. Amen. HALLELUJAH!"), the blues, jazz, soul, rock and roll, hip-hop, and rap. Palmer's vibrant double-page acrylic paintings burst with color and movement, making a rewarding connection to the music; the full-bleed images are rich with resonance and meaning. Extensive end notes provide helpful information about the musical history, artists and movements, and cultural connections alluded to in both the text and the illustrations. A stunning homage to "the soundtrack of America / a symphony / of refuge and redemption."

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: March, 2025

(2) 4-6 Illustrated by Jerry Craft. Two fifth graders vie to win their middle school’s annual creative storytelling contest. Both are already experienced storytellers: J illustrates books without words, and K writes stories without illustrations. In real life, Craft and Alexander have a lively friendly rivalry on display in social media posts and joint school visits, and this highly illustrated novel (cartoonlike black-and-white drawings appear throughout; final art unseen) is the perfect playground for their fictional ­counterparts—and for themselves, as both authors interject regularly with notes. Ever competitive, J and K try undermining each other’s chances for winning the contest by giving bad advice: draw with your nondominant hand, write what you don’t know, write in “sixth person.” Readers will soon suspect that J and K will join forces to write a book together, combining their talents, and indeed they enter the contest with their frog story collaboration, “Croak and Swagger: The Most Ribbiting Story Ever Told.” The culminating award ceremony, related with suspense and humor, isn’t the final word. Not only are readers told “To Be Continued…” but Craft and Alexander also offer “more fun…with this QR code” and write each other’s author bios with more of their trash talk.

Reviewer: Dean Schneider | Horn Book Magazine Issue: July, 2025

(2) YA Door of No Return series. Continuing the story of a Black family's trials, from Ghana to the United States, Alexander (The Door of No Return, rev. 9/22) sets this installment in Jim Crow era Virginia. Charlene "Charley" Cuffey is an avid follower of baseball's Negro Leagues and aims to be the first female player in the sport. Her grandfather, the supportive Nana Kofi, listens to Charley's triumphs on the diamond and tells her about the skill he showed as a swimmer in Ghana. He also teaches her Twi, his native language, and shares his favorite sayings and stories -- some stories, anyway. Charley's parents have decided she's too young to hear about how Nana Kofi was captured and brought to America, or why "the wonderfuls" (as Nana Kofi ironically calls white people) seem so uneasy around them. When Charley and her best friend, "Cool" Willie Green, challenge the neighborhood bully to a baseball game, it only makes sense that they use the new field in town -- but this decision could cost Charley and Willie more than they ever thought possible. Alexander has created a world that fully immerses readers in the time period and keeps them riveted by this family's continuing story. Charley's first-person verse narrative (with Nana Kofi's recollections interspersed in prose poems) incorporates institutions and notable figures from the era, including Marcus Garvey and Mary McLeod Bethune. A memorable and moving second book in the trilogy.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: September, 2024

(2) K-3 Illustrated by Melissa Sweet. In their third How to... book, Alexander and Sweet (How to Read a Book; How to Write a Poem,rev. 5/23) collaborate with singer-songwriter Preston to guide readers in tuning in to the world of sound around them. The lyrical text in bold hand-drawn block letters filled with color is prominent on each double-page spread. Beginning with the word hush, the authors invite us to begin by being quiet to "turn up your ears / and listen / to the / concert / happening / all around / you." We're encouraged to listen to the sounds of nature such as a "blue jay's / playful trill" and "trees swaying / and shushing." From there the poetic text focuses inward, first through breathing deeply, then through tapping feet and snapping fingers, ending with "sing / a song / loud / and strong." The pacing, vivid language, pleasing alliteration, inventive similes, periodic use of rhyme, and syncopated rhythm create a poem full of sound and music. Sweet's collage art incorporates musical imagery in waves, circles, swirls, and optical art patterns -- full of movement and energy to "make sound visible on the page," as she states in her end note. Preston contributes an end note as well. The overall impact resonates as a call for young people to find their voice and their power through music and beyond.

Reviewer: | Horn Book Magazine Issue: November, 2024

(1) 4-6 Illustrated by Dare Coulter. Alexander and Coulter have created a powerful counternarrative in their efforts to answer the question, "How do you tell a story about slavery?" Starting before Africans were forcibly brought to the Americas, both text and art reinforce the family structures, cultural traditions, and ways of life Africans enjoyed. When chattel slavery enters the story and white colonizers work "to steal them away / from their lives / and sell them / in America," the pain of separation and removal is poignant and brutal. The poetic text insists enslavement be explained from the perspective of humanizing the Africans and African Americans at the heart of this American story, while reinforcing motifs of agency, resistance, and flights to freedom. Coulter's mixed-media illustrations bring the text to life with a powerful combination of two-dimensional paintings and photographs of her three-dimensional ceramic and polymer clay sculptures. She juxtaposes her depictions of African Americans with drawings (in a yellow and black palette) of modern-day children grappling to understand the past and channeling their need for truth with their own desires to create change. The narrative ends on a hopeful note, encouraging the telling of an accurate story in an attempt to offer healing for a broad audience. Notes from the creators are appended.

Reviewer: Kim Parker | Horn Book Magazine Issue: January, 2023

(2) K-3 Alexander and Nikaido offer a single poem as this lyrical picture book's text, inviting young readers (and listeners) to "dive deep into the silent sea of your imagination" and "discover... / words / raining / everywhere. / Invite them / into your paper boat / and row row row." They cleverly integrate alliteration, similes, allusions, and wordplay to model for young writers what a poem can look and sound like. The buoyant text provides ample sensory imagery and nudges readers to look, listen, hear, feel, touch, speak, and then write, offering a guide for the process of observing, imagining, and putting it all down in words. Sweet's dynamic collage illustrations, composed of "vintage and handmade papers, paint, pencils, printed letterforms, and beach pebbles," suggests another level of engagement with the concept; her lively arrangement of words and lines across each double-page spread gives readers a visual example of how to play with language. In her appended note, she reveals that the text inspired her to think of circles ("big rounded marks, delicate lines, and cut-paper shapes in orbit filling the space"), suggesting the circular nature of the writing process; lined notebook paper is visible in many of the illustrations, hinting that the goal of the book is to inspire writing, too. A note from Alexander provides further thoughts on the question: "What is poetry?"

Reviewer: | Horn Book Magazine Issue: May, 2023

(1) YA Alexander's (The Crossover, rev. 5/14; The Undefeated, rev. 3/19) latest verse novel, the first in a projected trilogy, is historical fiction set in 1860, in the Asante Kingdom village of Upper Kwanta. Kofi Offin learns about the world through his storyteller grandfather Nana Mosi: how he came to be named after the river; the origin of the rivalry with neighboring Lower Kwanta; and the history of "the wonderfuls," the white colonials who have claimed dominion over their nation of Ghana. While Kofi's school teacher has an affinity for all things British (he's "on a mission to capsize our culture," Nana says), Kofi is content to learn from his grandfather, even as his own highly engaging story plays out through interactions with those around him. There's Ama, Kofi's childhood friend and the most beautiful girl he's ever seen; his best friend Ebo; and the cousin who torments Kofi. And there's his older brother Kwasi, the newest athlete to compete in the village games during the Annual Kings festival. When a wrestling contest results in tragedy, the tentative peace with Lower Kwanta is broken. As a result, Kofi is taken captive, and the book now becomes a searing chronicle of the terror that will carry him to "the door of no return" and far from home. A master storyteller himself, Alexander has taken great care to incorporate familiar West African sayings, folklore characters, and rituals. Themes of conflict within and between cultures, and of war and peace, hate and love, despair and hope are deeply embedded throughout this gripping tale that forefronts the humanity of those who were forced into slavery.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: September, 2022

(1) 4-6 Illustrated by Dawud Anyabwile. Patterson and Alexander, two heavyweights in the world of books (and their respective publishing houses), unite to tell the story of how Cassius Clay grew up to be Muhammad Ali, one of the greatest boxers of all time. The book, authorized by the Ali estate, is not so much a biographical novel as a chance to hang out with young Cassius Clay as he lives his daily life in Louisville in the late 1950s--going to school, being with friends, shooting hoops, watching boxing on television, and working, while navigating the dangers of life in a segregated city, all of which is related in lean and eloquent first-person verse with plenty of white space on each page. Clay's poetic narration is framed by first-person prose sections (called "rounds" instead of chapters) by his (fictional) best friend Lucius Wakely, who, by the end of the story, writes for a big newspaper and is at ringside for the "Rumble in the Jungle," Ali's 1974 fight in Zaire against George Foreman. Anyabwile, who illustrated the graphic novel edition of Alexander's The Crossover (rev. 5/14), adds a powerful visual element with occasional dynamic, full-page black-and-white images; and a short bibliography is appended.

Reviewer: Dean Schneider | Horn Book Magazine Issue: November, 2020

(2) 4-6 Illustrated by Dawud Anyabwile. This graphic-novel adaption of Alexander's Newbery Medal–winning verse novel, about African American twins and middle-school b-ballers Josh and JB Bell, retains all the on-court drama, swaggering narrative voice, and poignant emotional pitches of the original. The basketball action comes alive in the angular, motion-filled art, in shades of black, white, and (aptly) orange; the art also captures the story's more tender social interactions, moments of familial intimacy, and later scenes of heartbreak surrounding the boys' father's death.

Reviewer: Katrina Hedeen | Horn Book Magazine Issue: May, 2014; November, 2019

(1) 4-6 Illustrated by Kadir Nelson. Alexander and Nelson honor the achievements, courage, and perseverance of ordinary black people as well as prominent black artists, athletes, and activists. Alexander's free-verse poem conveys a sense of pride at what his "unflappable" and "unafraid" predecessors have accomplished and what people continue to do today. Nelson's realistic oil paintings depict racial oppression in the past and present--demonstrating that racism remains deeply entrenched in America today.

Reviewer: Jonda C. McNair | Horn Book Magazine Issue: March, 2019

(1) 4-6 Illustrated by Dawud Anyabwile. In this 1988-set prequel to The Crossover, twelve-year-old Charlie Bell is spending the summer with his grandparents following the sudden death of his father. He finds solace on the basketball court. This story of realistic family dynamics, a search for confidence, and first romance is propelled by energetic, staccato poetry and elevated by a visceral exploration of grief. Occasional comics visualizing the fast-paced basketball action explode off the page.

Reviewer: Eric Carpenter | Horn Book Magazine Issue: July, 2018

(3) YA This coming-of-age novel in verse centers on seventeen-year-old best friends Noah, who's white, and Walt (a.k.a. Swing), who's black. A conversational tone belies the multivalence of this story about the complexities of friendship, romance, patriotism, and prejudice. Life seems on the upswing until a wrenching, pulled-from-the-headlines incident shatters the boys' lives and underscores Noah's feeling that "America is sometimes / not so beautiful."

Reviewer: Carolyn Shute

(2) 4-6 Photographs by Thai Neave. Alexander turns motivational speaker in this collection organized like a basketball game, with four quarters and rules. Alexander's narrative of his early life in sports weaves its way through a lively display of colorful graphics, black-and-white photographs, short poems, and inspirational quotations by famous people. The uplifting volume reads like a locker-room pep talk by a coach with stories to tell and advice to give.

Reviewer: Dean Schneider | Horn Book Magazine Issue: March, 2017

(3) K-3 Photographs by Joel Sartore. With Mary Rand Hess and Deanna Nikaido. Striking, detailed photographs of animals appear against black or white backgrounds as descriptive, sometimes metaphorical text plays loosely with the haiku form. Word placement and font size vary across the pages, adding dynamism to the images. Three gatefolds each present smaller labeled photos and a longer poem. The slim volume invites awe of and appreciation for endangered animals. Photographer and poet notes are appended.

Reviewer: Carolyn Shute

(1) 4-6 Illustrated by Ekua Holmes. With Marjory Wentworth and Chris Colderley. Twenty poems, each "celebrating" a notable poet, variously mimic poets' styles, incorporate their feelings and themes, or acknowledge and thank them. The celebrated poets represent a wide range of cultures and time periods. Vibrant, arresting mixed-media collages complement and extend the themes and rich imagery presented in the poems. Educators teaching poetry or introducing influential poets will welcome this stellar title. Biographical information appended.

Reviewer: Jonda C. McNair | Horn Book Magazine Issue: May, 2017

(3) YA Seventeen-year-old Blade Morrison, son of a famous rocker, just wants to avoid the attention his family receives for his father's drug-and-alcohol-fueled bad behavior. When a family secret is revealed, further alienating Blade, the Hollywood-raised teen embarks on a life-altering trip to Ghana. Alexander's verse, co-written with Hess, evokes the moody emotions of Blade's favorite real-life rock ballads (lyrics to which are interspersed).

Reviewer: Katrina Hedeen

(2) K-3 Illustrated by Daniel Miyares. "SURF'S UP, BRO!" calls a surfer-dude frog. "Not yet, Dude," responds his bookworm buddy. While Dude and Bro (still with nose in book) make their way to the beach, Bro reveals tantalizing Moby-Dick plot points that pique Dude's interest. Miyares's highly pigmented illustrations and Alexander's snappy, spare text (all in dialogue) create a high-energy tribute to the power of a good book.

Reviewer: Julie Roach | Horn Book Magazine Issue: March, 2016

(1) 4-6 Nick is a wordsmith, thanks to his linguistics-professor father, but he would rather be shining on the soccer field. He's blindsided when his parents separate; things worsen at school, too, as he and best friend Coby are targeted by the racist Eggleston twins. With accessible forms and engaging formatting, this novel in verse offers sports action combined with spot-on portrayals of middle-school life.

Reviewer: Katrina Hedeen | Horn Book Magazine Issue: March, 2016

(2) 4-6 Twelve-year-old twins Josh and Jordan (JB) are a well-oiled machine on the basketball court. But then JB gets a girlfriend, and before Josh knows it, things start to change. Josh's narration is a combination of exciting play-by-play game details, insightful observations on middle school, and poignant meditations on sibling dynamics and familial love. This verse novel has massive appeal for reluctant readers.

Reviewer: Katrina Hedeen | Horn Book Magazine Issue: May, 2014

(2) YA Claudia Clarke--sharp, opinionated, and Harvard-bound--is the only girl who isn't impressed by quarterback Omar "T-Diddy" Smalls. Omar takes a bet that he can win Claudia over, and when his usual seduction tactics fail, he applies his social clout to Claudia's cause du jour. His burgeoning social awareness and transformation from carefree jock to true campus leader are satisfying and convincing.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: November, 2013