(2) K-3 In four stories, one for each season, we follow the adventures of Little Witch Hazel, a sturdy, rosy-cheeked forest dweller with a bevy of woodland friends--gnomes, fairies, trolls, owls, mice, frogs, and newts. The tales recall classic nursery stories (a rescued animal who later repays the kindness; a parade of creatures that gets longer and longer as everyone joins in a quest) and as such have just the right amount of tension for the audience. (What could be making the eerie noises coming from the hollow tree? Will Hazel become lost in a blizzard?) Apart from a pointed hat, there is nothing particularly witchy about Hazel. Rather, she seems to be a kind of community-health carer, seeing to an abandoned owl's egg, a chipmunk with a toothache, a postpartum rabbit mother. Wahl's (The Blue House, rev. 7/20) digital art, in deep earth tones, has the retro look of wood-block prints and contains plenty of details to pore over. An endpaper map of the whole of Mosswood Forest serves to remind readers of the journey just taken and the pleasures of this tight-knit neighborhood in miniature.

Reviewer: Sarah Ellis | Horn Book Magazine Issue: January, 2022

(3) K-3 Illustrated by David Hohn. Hallie Morse Daggett dreamed of joining the US Forest Service to fight fires in California's Siskiyou Mountains--an unheard-of goal for a woman at the turn of the previous century. But Hallie persisted and was finally hired as a fire lookout in 1913. She spent fifteen fire seasons in a primitive mountain cabin reporting on smoke and flames, contending with fierce electrical storms, and fending off wild animals. Bissonette's engaging portrayal of a self-assured and determined figure is enhanced by Hohn's imaginative illustrations. An author's note provides more detail and includes three black-and-white archival photos.

Reviewer: Kitty Flynn

(3) K-3 Imagine This! series. Illustrated by Nic Jones. A tree in a boreal forest offers food and shelter for animals, nutrients for the soil, and more during its lifetime. When fire, pests, storms, or disease kill a tree, Bissonette explains, the tree continues to be a valuable resource in the forest. "The tree, now in its second life, hums with activity--animals nesting and looking for food." As the tree decomposes further, it enriches the soil and supports new growth. Jones's lush forest scenes are detailed but not cluttered; the informative main text is enhanced by related information in smaller type on many pages. Bissonette talks about her personal connection to trees in an author's note. Things to consider when "Exploring Snags and Fallen Logs" and suggested reading are appended.

Reviewer: Kitty Flynn

(2) K-3 Illustrated by Dow Phumiruk. Crespo gives readers a story of a forest fire and its aftermath from the point of view of one who has been there: a tree. A ponderosa pine, to be exact. This one grew from a sapling in a forest clearing and describes its comfortable surroundings and those who keep it company: a family in a nearby house, animals, and other trees. But one hot and windy summer night, lightning strikes and ignites a massive fire, forcing all to flee, except the rooted-in-place tree. "All I could do...was wait." A double-page spread of vignettes shows firefighters saving animals and fighting flames, and, in a small deviation from point of view, the tree's human neighbors in a local shelter. Finally, "fire lost the battle." Two dramatic illustrations, nearly devoid of color, depict a charred landscape, with our narrator, and a few of its neighboring conifers, still standing. Soon, life returns. Spare prose outlines the process of recovery while the watercolor and digital illustrations provide a full picture of people rebuilding a home and planting seedlings, birds returning, and forest animals adapting to the changed surroundings. Concluding notes, geared to an older audience, trace the general sequence of events in forest fires, beginning with their inception and outlining both the immediate and long-term effects. Appended with a bibliography. See also Wildfire! on page 90.

Reviewer: Betty Carter | Horn Book Magazine Issue: November, 2021

(2) K-3 The book's young narrator, sporting a red beanie, has just moved to the country with his mother and is not thrilled about it. "Nights are too quiet," he complains. "Mornings are too loud." Soon, however, he becomes comfortable in the woods, and notices a red fox that lives nearby. When a forest fire erupts, the boy and his mother evacuate; on a dramatic wordless spread, the fox, along with the other animal denizens of the forest, makes its own escape. Time passes before any of them can return. The child's description of his post-fire home accompanies an illustration of blackened tree trunks with small shoots of green emerging from the forest floor: "While things don't look like they did before, the forest knows what to do after a fire." The final page-turn reveals the mother planting a sapling while the child carries wood to frame their new house, noting "and so do we." Despite the serious and timely topic (with wildfires becoming increasingly common and more severe in the American West due to climate change), Popovici's lean text and gentle cartoon-style paintings keep the tone suitable for young readers. The child, fox, and fire are visually connected by the color red (also used very effectively on the textured endpapers) so the fire becomes part of the forest rather than a terrifying interloper. Adults may question why the family rebuilds on the same site, using traditional wood construction, but the child audience will understand that families, both human and fox, can thrive after tragedy. An appended author's note and "More About Wildfires" page provide more detail.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: September, 2021

(2) 4-6 Illustrated by Serena Malyon. Having lost both parents to an apartment fire when she was little, Addy steers clear of fire as much as possible, and spends much of her time making maps of her Bronx neighborhood that note all the ways to "no matter what: Escape. Survive." When her grandmother signs her up for a wilderness adventure program in California for "Black city kids," Addy desperately wishes she could escape that, too--a summer in the forests of California with five strangers doesn't sound particularly interesting or safe. She is almost immediately proven wrong: her interactions with wilderness camp owner Leo establish Addy as "a kid who didn't know they belonged in the wild." Under Leo's tutelage, Addy adapts to the forest, learns about climate change's impact on the environment, and begins to flourish in her mapmaking skills. While the other kids in her group also become acclimated to the wildernesss, Addy is unique in her understanding of the world around her--and when a forest fire threatens their very lives, it is that understanding that offers a chance at survival. Although the quick pacing doesn't lend itself as well to the full development of secondary characters, the novel's lyrical tone and first-person narration bring home Addy's love of nature as well as her urgency to protect it. Rhodes's contribution brings welcome diversity to the wilderness adventure genre; an afterword provides additional information on climate change, forest fires, and minorities' access to wilderness/national parks.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: September, 2021

(2) PS In Green (rev. 3/12), author-illustrator Seeger paired a color concept book with an ecological theme, following it some years later with Blue (rev. 9/18), which similarly united a consideration of color with one of emotion. Now she turns to red--sixteen shades of it, from "dark red" to "just red"--to tell the story of a lost fox. The painterly acrylic images and strategic die-cuts immerse viewers in the fox's world and trials, from it trailing the pack to becoming lost to enduring hunger, injury, and capture, until its eventual return to its family. Hues range from the "light red" of sunrise to the "blood red" of an injured paw to the "rage red" of being trapped in a cage. The season is autumn, which allows Seeger the full riot of shades of reds, but the story is an anytime one, the fox a stand-in for anyone going through trouble on the way to security.

Reviewer: Roger Sutton | Horn Book Magazine Issue: November, 2021

(2) K-3 Wolff tells a story of both animal survival during a wildfire and the work of forest firefighters. Readers and listeners will appreciate the clear, direct text--"Buck hears the rumble. Squirrel sees the flash." Once the lightning strike starts a blaze, humans and animals react. The animals warn one another and take cover or run: turtles burrow, porcupines hide, and bears wade into water. Aircraft head for Spruce Mountain, where firefighters parachute in and trucks arrive loaded with people and equipment. At the culmination of the firefighting efforts, crew members create a firebreak with bulldozers and shovels; and finally a rainstorm helps to douse the flames. With the blaze extinguished, animals come out of hiding and "life continues on Spruce Mountain." The wide, dramatic vistas of forest scenes will feel familiar to fans of Wolff's work (Stella and Roy Go Camping, rev. 5/99; Where, Oh Where, Is Baby Bear?, rev. 11/17). The paintings in vivid reds, oranges, and golds along with the descriptive yet brief text provide sensory details of forest life and wildfire. It is a hopeful story of a fire put out quickly thanks to the efforts of humans and a good deal of luck. Helpful back matter includes a glossary of specialized vocabulary, a list of firefighting tools, and websites for further exploration. A timely, informative, and approachable book.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: November, 2021

(1) K-3 Illustrated by Rob Dunlavey. Once again Elliott (On the Farm, rev. 3/08; In the Sea, rev. 1/12; and others) captures the essence of a habitat and its creatures in poetry that manages to be both pithy and profound. Here fifteen poems, each on its own double-page spread, are devoted to animals of the forest. As in previous volumes, some poems are clever and funny ("Give the skunk / a lot of / room, unless / you care for / strong perfume"); others are almost elegiac in tone. A few are concrete poems, including "The Hornet," arranged in the shape of a hornet's nest. Dunlavey's art is not as in-your-face spectacular as that by some of the previous illustrators of the series but is perfect for setting and subject. His expansive watercolor and mixed-media illustrations feature aptly muted hues, with occasional bright spots: the red flash of a scarlet tanager; the pink of a wild turkey's neck. The compositions are focused and compelling--the viewer knows exactly where to look on every spread. It's worth lingering to find details of interest, however. A fox on the hunt "stands red /against the April snow," and our eye is caught and held by the intensity of her expression and posture. But look closely to see a squirrel clinging, unmoving, to the far side of a tree, and a vole hiding in an underground burrow. An ideal marriage of poetry and art; another successful entry in a long-running and (seemingly) perennially renewable series.

Reviewer: Martha V. Parravano | Horn Book Magazine Issue: March, 2020

(3) K-3 Illustrated by Alexander Mostov. This broad overview aims to raise awareness of threats to the world's forests. The lively pages dole out information via friendly illustrations, accessible text boxes, and lots of captions; the volume's clear organization helps with comprehension. After introducing features of tropical rainforests, boreal forests, and temperate forests, French's presentation focuses on deforestation, its causes (e.g., agriculture, paper industry), effects (habitat loss, threats to indigenous populations), and solutions (ethical consumerism, education). "What You Can Do" offers realistic suggestions. Glossary.

Reviewer: Kitty Flynn

(3) K-3 I Like to Read series. A bunny, two mice, a bird, a squirrel, and an owl emerge from a hollow tree to enjoy a snow storm. When too much snow piles up ("Snow is heavy"), a branch breaks, causing the bird to fall into a deep drift. Oh, no! The cartoonlike illustrations show the other animals gathered around a bird-sized hole: "Friends try to help." An effective page turn resolves the tension as the bird pops out of the hole: "...birds can fly." Subtle details in the illustrations (the sky changes from pale morning colors to vibrant sunset orange and pink) extend the story and enhance the wintry atmosphere.

Reviewer: Kitty Flynn

(2) PS Illustrated by Jennifer Faria. This sweetly unassuming picture book is simultaneously a small wintertime adventure, a story of a loving intergenerational friendship, and an animal-identification book incorporating both English and Ojibwemowin vocabulary. On a snowy day, a very young boy and his grandfather take a walk in the woods across from their home. On their walk, they encounter a black bird. Grandpa introduces the bird first in English as "Raven" and then in Ojibwemowin as "Gaagaagi." The pattern is repeated with "Rabbit" ("Waabooz") and "Deer" ("Waawaashkeshi"). As they walk, the boy and Grandpa make tracks in the snow, comparing them with the animal tracks they see. Their encounters with the woods' wildlife are interspersed with moments demonstrating the warm relationship between the two. At book's end, they head home for milk and cookies and a nap. Acrylic and colored-pencil illustrations vividly portray the snowy landscape as well as the boy and grandfather's home; the bright yellow living room filled with mementos radiates love and warmth. ­Endpapers helpfully label the three ­animals with their English and Ojibwemowin names; the Ojibwemowin names are also spelled phonetically.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: January, 2021

(2) K-3 This timely and striking story of a forest wildfire is told from the point of view of a deer, who speaks for all the forest creatures. In lush, earth-toned gouache illustrations, we see creatures in their forest home. "We have always lived in this forest," the deer states. "I used to think this forest would always be our home." But one day a spark flies across dry trees; smoke appears; and flames grow. The sky grows dark, and in an alarming and unflinching spread, a small flame lands on the head of Mountain Lion. The animals, now merely red-hot silhouettes against a wall of flames, flee. Marino's driving text is filled with descriptive verbs--the fire snaps and swallows--and her taut sentences pack a punch: "The smoke was strong. But we were stronger." All the animals eventually return and see new shoots of green in the blackened forest, the powerful final line echoing the book's title. A closing note from Marino describes her own experience in the 2017 Northern California wildfires, seeing embers "the size of dinner plates." The appended "wildfire facts" answer questions for young readers about how wildfires start and spread and how wildlife responds. Lists for further reading and for learning more about wildfires are also appended.

Reviewer: Julie Danielson | Horn Book Magazine Issue: January, 2021

(1) K-3 The "strongest guys in the whole forest" are the Little Guys--small pastel-colored creatures with acorn-cap hats and stick arms and legs. This presumed root-for-the-underdog story takes a humorously unexpected turn as close observation shows the Little Guys obnoxiously stealing food from the other forest animals ("None for you! All for us!"). Brosgol's jewel-toned mixed-media illustrations are imbued with humor both subtle and exaggerated, enhancing and extending the spare text.

Reviewer: Emmie Stuart | Horn Book Magazine Issue: May, 2019

(4) K-3 Illustrated by Katie Hickey. Inspired by the British women of the Women's Timber Corp, Davis relates their journey to the forests and back again, as well as their daily lives learning to cut trees. Hickey's pastoral scenes are warm and nicely detailed. The text's constant incorporation of numbers ("Six painful blisters heal and strengthen over time. Two hands willing to work...") distracts from an otherwise interesting slice of WWII history. Historical note appended.

Reviewer: Kristy Pasquariello

(2) K-3 Squirrel Otto discovers a spiky ball; the small creature within declares Otto "MOMMY." "Pio" grows larger and larger (and thus more inconvenient as a roommate), but he also cooks, tidies up, and is good company. Full of funny details, the watercolor and colored-pencil illustrations move the plot along. This tender story about the value of taking care of each other also quietly considers the meanings of home and family.

Reviewer: Julie Roach | Horn Book Magazine Issue: May, 2019

(3) K-3 Illustrated by Kayla Harren. As a teenager in 1979 northern India, Jadav Payeng was concerned that many snakes died after flood damage to the eroding Brahmaputra River region. He planted twenty bamboo saplings...and ended up many years later with a protected 1300-acre forest teeming with animals. Hopeful and inspiring, this true-life ecological story is illustrated with evocative, verdant art. Appended with endnotes and a planting project.

Reviewer: Melinda Greenblatt

(3) K-3 Illustrated by Amanda Strong. Little girl Awâsis loses her Kôhkum's (grandmother) famous bannock on the way to her relatives' house. With the help of her friends in the forest, Awâsis is able to collect all the ingredients she needs to make a new one. Soft, naive illustrations make it easy for readers to understand the Cree words used in the story; a glossary/pronunciation guide is appended, along with a recipe.

Reviewer: Nicholl Denice Montgomery

(4) K-3 Illustrated by Elisa Vavouri. During the Great Depression, Pavel, a Jewish immigrant from Russia, plants trees with the Civilian Conservation Corps and gets to know other Americans from different cultures; some are more welcoming than others. This historical-fiction picture book’s text provides an accessible entry point to this element of history and to themes of assimilation; colorful, textured illustrations are eye-catching, if slightly uneven.

Reviewer: Shoshana Flax

(3) YA Koch's eye-opening text, well-illustrated with color photos and diagrams, unveils the semi-invisible communication happening among trees. Chapters center on individual scientists' discoveries, providing readers with a glimpse into their innovative research. Koch emphasizes that trees are living beings essential to human and nonhuman well-being and concludes with a convincing call for sustainable forest management. Reading list, websites. Bib., glos., ind.

Reviewer: Erica Wetter