Book Bundles: Fashionistas Who Persisted

(3) 4-6 Illustrated by Kaja Kajfež. This idiosyncratic biography of women who defied gender-normative clothing (for reasons strategic, practical, personal, etc.) is full of tantalizing historical details and a curious tone that acknowledges historical records are often imprecise, incomplete, or misleading. Twenty subjects, from ancient history (Amazon warrior Hypsicratea, first century BCE) through the twentieth century (African American pro baseball player "Toni" Stone), are profiled in surprising depth in each six- to eight-page chapter. The entertaining narratives are supplemented with archival images and quirky sidebar anecdotes, as well as full-page illustrated portraits. Meticulous source notes, an extensive bibliography, and an index (unseen) are appended.

Reviewer: Katrina Hedeen

(3) K-3 Illustrated by Diana Toledano. In the early-1900s, lonely Edith dressed animals (real ones and toys) in whatever she could, gradually building a collection of fabric scraps ("[her] greatest treasure"). During high school in L.A., she falls in love with the movies; persevering through a long career full of rejections, Head eventually becomes an (eight-time!) Oscar-winning costume designer. Well-versed in female-artist-underdog stories (Ablaze with Color; Maya Lin), Harvey's plainspoken narrative conveys Head's scrappy determination and a humble personality content out of the spotlight. Toledano's hand-rendered illustrations utilize different techniques--including what appears to be, fittingly, fabric collage.

Reviewer: Katrina Hedeen

(3) K-3 Illustrated by Erin K. Robinson. Descended from generations of dressmakers in the Deep South, Ann Lowe attended a segregated design school in 1917 NYC--and was "best in her class"; her genius remained underrecognized until she designed gowns for "the wedding of the year" (Jaqueline Bouvier to JFK). The narrative varies its tone to echo both talent and tenacity: flowery descriptions of Lowe's couture (silk roses "soft as dew") trade with tighter passages on process ("Measure, snip, pin up the hems"). The digital illustrations can look slick but do justice to the rich colors and textures.

Reviewer: Katrina Hedeen

(3) K-3 Illustrated by Andrea Pippins. From childhood in segregated Georgia to millinery school in Chicago during the Great Migration to small-business success in mid-century Philadelphia: hatmaker Mae Reeves's biography also conveys much about Black American history writ large. Rhuday-Perkovich's sonorous language ("Hats were a way for these queens to be SEEN") is further strengthened by repetition of the titular theme: "Mae, like so many, made a way out of no way." Pippins's digital art has an abstract design aesthetic befitting the fabulous hats and accessories. Material from the related Smithsonian National Museum of African American History and Culture exhibit is appended, along with a bibliography.

Reviewer: Katrina Hedeen