(1) YA In this Cape Town–set verse novel, each woman in the Strand family gains magical abilities when she turns fifteen. As Nell Strand approaches her fifteenth birthday, she is painfully aware of the potential dangers that can accompany this “gift.” Her older sister, Mora, carries songs underneath her skin—and has been hospitalized for trying to cut the music out. Their mother’s age changes daily, and there is no guarantee she’ll have the maturity on any given day to be the parent Nell or Mora needs. Nell’s gift is that her emotions manifest as insects: ladybugs when she feels hopeful, blue stick insects for sadness, beetles and flies during uncomfortable interactions with her piano teacher, and wasps when she becomes angry. Nell’s attempts to suppress her feelings result in a vicious cycle of disordered eating, and it will take everything in her to do the one thing she fears most: face the swarm. While the book covers dark themes (parental neglect, molestation, suicidal ideation), positive elements including a budding relationship with a new boy at school help reframe Nell’s perspective. Vividly and fluidly written verse (“The moths thrill and flutter, a thousand little shadows / Mama lets go of me. I lose her in all the gray”) sets a gradual pace that allows readers to immerse themselves in Nell’s complex reality and her path to womanhood in a world both harsh and hopeful.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: May, 2025

(1) YA Thirteen-year-old Pakistani American Mohammad and his father move from Queens to Houston to stay with his aunt and cousin while his research scientist mother works in a refugee camp in Greece. Mo’s father’s paranoid schizophrenia, which causes dramatic mood swings, makes it difficult to hold down a job and live independently, and Mo adopts a tough bad-boy act to protect himself from the pain of abandonment and anger at his parents. His aunt provides much needed warmth, love, and support, and his cousin Rayyan, coping with his own father’s tragic death, serves as a friend at his new school. Mo tries to channel his feelings through engrossing himself in South Asian folktales (interspersed throughout the story), boxing, and art. As he discovers truths about his family, he slowly opens himself up to being more accepting of others. Mo’s brave front in trying to deal with volatile situations makes him a sympathetic protagonist. Secondary characters provide nuanced perspectives on how people cope with trials in their lives. A raw portrayal of the pain, confusion, and hurt of a memorable young teenager.

Reviewer: Sadaf Siddique | Horn Book Magazine Issue: May, 2025

(2) YA D (short for 'Wayne; the D is "invisible"), who lives in a somewhat off-kilter version of Baltimore, keeps to himself and doesn't care about much. Half his life ago, his mother left the family during a serious depression. Then D enters a coveted health study and gets to know his crush and fellow participant Jane, who is autistic and who can relate to D's loss. An oddball, conspiracy-heavy mystery begins as D, Jane, and D's tech-and-surveillance-hobbyist bestie, Kermit, investigate the clandestine study's purpose and intentions. The storytelling leans into absurdity and surrealism as the trio seeks answers about the shadowy operation through obstacles such as cartoonish adult characters (be they villainous or clueless) and distractions from their eccentric peers. Told in short chapters, dialogue scripts, screenshots, footnotes, and more, a trippy plot unspools in unpredictable directions. Cleverly placed motifs, unique turns of phrase, plays on stereotype and archetype, and meta elements (the mall sells "experiences"; a selfie theme park) together enhance the book's timely themes: identity, ableism, the stigmatization of mental illness, and the impact of technology on human experiences. Vacharat's debut is a standout work of speculative fiction and a foreboding social satire about unethical governing and the corrosive values of Big Tech.

Reviewer: Katrina Hedeen | Horn Book Magazine Issue: July, 2025

(2) YA For her capstone project on the last day of school, Niarah, who is "walking around life with a full plate of anxiety plus a side of depression and a scoop of OCD for dessert," must present an object that represents where she will be in ten years. But she does not have much hope for the future, so she pulls out a bottle of iodine from her survival kit and explains how it will save her in what she sees as "the inevitable doomsday scenario." Her presentation gains her the name Doomsday Girl and a trip to the guidance counselor's office, where she learns that she is in danger of failing sophomore year if she does not complete her capstone project and PE hours. As an alternative to summer school, Niarah joins a hiking club led by the very handsome Mac Torres. Despite herself, Niarah opens up to Mac, who offers to help her build her fallout shelter and count it toward her hours. Through Niarah's prickly, often darkly humorous, and eventually more vulnerable voice in her survival guide entries, text messages, and interactions with others, readers see a well-realized example of how it feels to be a teenager navigating the world with depression and suicidal thoughts. Mental health and related resources are appended.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: September, 2024

(3) K-3 Illustrated by Rahele Jomepour Bell. A young Black girl enjoys special moments with her fun-loving mother, a U.S. Army member. Their bond, built through cooking, gardening, and dancing, promises to survive Momma's overseas deployment. Upon returning with PTSD, Momma's symptoms affect the girl's well-being, until small adjustments aid the family's healing. Narrated by the child, the story builds empathy for, and gives authentic voice to, children in similar situations. Loose-handed ink and charcoal artwork offers warmth, shielding the tale from heavy-handed realism.

Reviewer: Summer Edward

(2) YA Seventeen-year-old Ariel Burns is struggling with constant, anxious "what-if" thoughts and dark, violent "crocodile in my mind" fantasies that have escalated to an obsessive degree. She resorts to extreme, repetitive actions such as walking in circles sixty-four times to keep those awful thoughts at bay. With her beloved older sister away at college, her parents emotionally distant, and her best friend gone for the summer, Ariel is having difficulty separating fantasy from reality and worries that she is a danger to others. The support of new friends and texts from her sister help her to begin to confront those concerns. Cole explores the parallel stories of Ariel's inner and outer realities through compelling free verse and illuminating juxtaposition of inner monologue and external events. Questions of gender identity are interwoven as Ariel wonders what it means to be a "girl" when you're 5'11" and wear a size twelve shoe. "I am too many things, all of them / too. / Too big / Too quiet / Too broad / Too off." This powerful novel in verse provides an intimate look at the patterns of obsessive-compulsive disorder and offers an opportunity to explore the ways our inner voices affect our behavior and self-concept. Mental health resources are appended.

Reviewer: | Horn Book Magazine Issue: May, 2024

(3) YA This poignant, heart-wrenching graphic memoir follows a young boy struggling with his mother’s mental illness and his parents’ divorce. Corey grapples with confusion and his changing perception of his mother after she dramatically puts a stop to his father’s court-ordered parental visitations. The story skillfully portrays emotional turmoil, resilience, religious doubt, and the complexities of family. The muted, elegiac artwork beautifully complements the text, making this a powerful, empathetic read about trauma and survival.

Reviewer: Sarah Ellis

(2) YA When Skye was six years old, her parents, both physicists, divorced. She and her brother, Finn, spent alternate weekends with their dad, but he became increasingly obsessed with physics and would forget to feed and interact with the kids, leaving them to fend for themselves. When the book opens, Skye (now twelve), her mother, and her mother's kind boyfriend are celebrating Finn's "MIA birthday," because Finn was kidnapped by their father and has been missing for four years. Miraculously, he is found soon after and returns home: "And then he's there. A tall Black boy with short, tiny dreads, fat headphones looped around his neck. Finn. My brother. My Finn." Skye is excited that her brother is back, but she realizes that the boy who has returned is a different person. This Finn is "so sad and lost, like he carries so much pain inside"; rather than accept the fact that her brother has changed, Skye believes that he is an imposter, whom she calls "Not-Finn." Skye must come to terms with some tough and tangled truths, including admitting to herself that she feels rejected because her father didn't kidnap her. This engaging coming-of-age story gives voice to complicated and traumatic feelings caused by divorce and estrangement, to changes in family and friendships, and to the difficulty of accepting the inevitability of change.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: January, 2025

(2) YA Bella deals with what feels like a million pressures: family, schoolwork, a breakup with a boyfriend who said she was "too much," and grief over the recent loss of her grandmother. Without a robust support system, Bella turns to alcohol to relieve the pressures and numb the pain; she had her first drink at eleven, and now, at fifteen, it's an addiction. She remains in denial about that addiction until it blows up in her face, landing her in a rehab program, where she must learn to confront and process her problems in a healthier way. Glasgow paints an empathetic portrait of a young woman struggling to cope with life, giving her ample depth and complexity. The first-person narrative offers a clear depiction of the character's subjective experiences of anxiety, depression, loss, and trauma as well as a nuanced exploration of the various factors that contribute to substance use disorders. Similarly, it recognizes the nonlinear nature of recovery and the contributors to relapse. Even as it acknowledges personal accountability and agency, it does not let the adults and peers who fail Bella off the hook. The story unflinchingly examines the darkness in life but ultimately brims with hope for intrapersonal change. An author's note connects the story to Glasgow's life; resources are also appended.

Reviewer: | Horn Book Magazine Issue: January, 2025

(2) 4-6 Sixth grader Maya doesn't know when the anxious thoughts and the "hot-hot-hot" feeling started, but ever since her dad moved out, they seem to have gotten worse. Her germaphobia makes school a challenge and makes working in her family's deli, the Russian Gourmet, nearly unbearable. Maya tries explaining her discomfort to her family but is met by her babushka's unsympathetic reminder: "Slozi goryu ne pomozhet," or "tears won't help sorrow." When Maya's standup-comedian father is asked to emcee her school's talent show, Maya decides to perform her own comedy routine in hopes that the hours spent rehearsing with her dad, plus a successful performance, will bring her family back together again, thereby curing the hot-hot-hot. Gurevich balances the seriousness of Maya's anxiety with laugh-out-loud humor. Alongside writing jokes and learning about comedy from her father, Maya witnesses a beloved teacher's distressing emotional episode and is taught coping strategies by a school nurse and therapist. Maya's story speaks directly to the stigma of mental health and the ways those attitudes can harm people of all ages. Readers familiar with Russian dishes may find their stomachs growling; luckily, the author includes recipes in the back matter.

Reviewer: Hill Saxton | Horn Book Magazine Issue: January, 2025

(2) YA Thirteen-year-old Deena Rahman's world revolves around spending time with her friends, creating art, and appeasing her Pakistani American family. Deena also helps her mother run a clothing boutique selling Pakistani outfits, hoping to alleviate tension in their home over finances. Deena often overhears her parents fighting about money and feels guilty for their having to spend it on things she needs, such as dental work. She also hesitates to tell them about things she and her brother, Musa, would benefit from, such as art classes for her and talent scouts to further Musa's chances at a soccer scholarship. She tries to ignore the daily nausea and gnawing in her stomach, but soon the physical manifestations of stress demand attention. Both Deena and her parents must confront her anxiety issues and the importance of support. With helpful friends and an artist mentor, she learns to deprioritize others' expectations and advocate for herself, including pushing back against her parents' reluctance to allow her to see a school psychologist. A sensitive look at the effects of anxiety and the pressures of today (including social media) on young people's mental health.

Reviewer: Sadaf Siddique | Horn Book Magazine Issue: January, 2024

(1) YA Quagmire Tiarello, so often misunderstood by his peers and the adults in his life, has a strong sense of loyalty and fairness but little tolerance for rules or authority. This companion to Playing Through the Turnaround (rev. 9/22) focuses on Quag's life the summer before ninth grade -- and, given the situation, his attitude seems appropriate. Longtime loner Quag is still processing the unexpected connections he made at the end of eighth grade, and when his crush Cassie shows up wanting him to join her team at the local YMCA's ArtCamp to create sound effects for their radio play, he agrees in order to be near her. He also (accidentally) takes up bird watching. Meanwhile, his mother is "spinning" again, and while Quag has always managed her erratic behavior on his own, it's worse this time. Everything spirals out of control until Quag finds himself trapped in the car with his mom, many states west of home and going too fast. His abrupt exit from camp adds frustration to the rapidly escalating tension as his circumstances shift from concerning to dangerous overnight. Interspersed throughout are descriptions of audio files collected at pivotal moments and interesting facts about birds that help develop the plot in thought-provoking ways. Moving and quick-paced, this novel gives readers valuable insight into a character who normally avoids such attention and thus sympathy too. An author's note includes more information about the story with specifics about mental health challenges.

Reviewer: Julie Roach | Horn Book Magazine Issue: November, 2024

(1) 4-6 Open-water marathon swimming (any continuous swim over ten kilometers) is not for the faint of heart and is typically done with meticulous planning, careful consideration for the weather and water conditions, and a skilled kayaker and other safety supports in place. But when her mother abruptly leaves and doesn't come back, Tully impulsively decides to swim the 12.1-mile Lake Tahoe Marathon, a.k.a. "the Godfather swim." At twelve, she will be the youngest person to complete the swim, and she is doing so in risky weather conditions, with an inexperienced kayaker, and without her father's knowledge. Tully's mom, an endurance athlete, was her daughter's swim coach whose obsessive exercise kept her depression at bay, and Tully believes that "this swim [is] going to bring my mother back." Written in verse, including occasional concrete poems, the book is organized in chapters by the hours into the swim (Hour One, Hour Two); as Tully gets further along, there is a peeling-of-the-onion effect, where with each passing hour more is revealed about her mother's mental health and the lies Tully told herself to mask more painful truths. This touching and deeply affecting novel takes on difficult topics such as maternal abandonment and codependency and gives readers a peek into the feelings and thoughts that underpin childhood trauma.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: July, 2024

(2) YA In this sequel to verse novel Rain Rising (rev. 1/23), Rain Washington has begun to heal after a chaotic eighth-grade year in which her anxiety and depression (including body-image concerns) were exacerbated by a racist violent attack against her beloved older brother. Now entering her first year of high school, Rain must learn to contend with a whole new setting; and with family members busy or absent, old feelings of insecurity about her body begin to creep back in. Then Tommy, a charismatic sophomore, takes an interest in her. Bolstered by his compliments and attention, Rain begins to avoid her family and friends--until she discovers that Tommy has ulterior motives. As her emotions begin to spiral down a dark and familiar path, the ongoing support of those around her reminds Rain of the importance of continually acknowledging her own self-worth and needs, even as she also acknowledges the needs of others. Comrie again proves skilled in discussing topics of harassment, mental health, and (via a subplot about a friend's uncle) the deportation system, in verse as lyrically captivating as that of its predecessor. Rain and her friends remain sympathetic characters to connect with and root for.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: November, 2023

(2) YA In this novel in verse, Lockington's (In the Key of Us, rev. 5/22) first book for young adults, sixteen-year-old Sadie has anxiety that means "when I panic, I stop being a girl / I become a thread unraveling / from some dark and blanketed expanse of time." When she witnesses a Black girl near her age being forcefully arrested by the police, the experience leaves her feeling unsafe and afraid to leave her house. With the help of her therapist, Sadie begins to find ways to cope with her anxiety and agoraphobia and shares her thoughts and poetry live on social media to create a sense of connection, and ultimately overcomes her fear. Lockington effectively mixes verse narration with social media posts to create an authentic teenage narrator. She thoughtfully explores mental health, sexuality (Sadie is bisexual), family, anti-Blackness, Black girl joy, and activism. Back matter includes an author's note, mental health resources focusing on Black and LGBTQIA+ communities, and a list of Sadie's favorite reads. Recommended for readers who appreciate books about Black teens' mental health, such as Parker's Who Put This Song On? (rev. 1/20) and Stone's Chaos Theory (rev. 1/23).

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: July, 2023

(2) YA It's the beginning of Whit's senior year, and after a summer spent in doctors' offices instead of at the pool with her friends or video-chatting with her now-long-distance boyfriend, she is ready to get back on track. Her plan is simple: lead the school Fall Fest committee to autumn-themed excellence, get closer to her younger sister, help Abuela at the tailoring shop, and manage her polycystic ovarian syndrome (PCOS) so she can enjoy fall to the fullest. Nothing, of course, goes according to plan: Whit and her boyfriend break up. PCOS causes exhaustion, weight gain, and newly sprouting facial hair. In her concerns about her sister being mistreated for being autistic, Whit must face the fact that she was engaging in slightly ableist behavior herself. And Whit is partnered to plan Fall Fest events with Zay, her frustratingly attractive ex from middle school. Maldonado's writing warmly captures the charms and challenges of high school life for a Latina in a fat body, believably rendering the struggles and idiosyncrasies of teenagerhood. The heart-fluttering romance that ensues with the thoughtful Zay makes for a cozy autumnal read, but the depictions of friendship, family, and navigation of a chronic illness make this a solid choice for all seasons.

Reviewer: | Horn Book Magazine Issue: January, 2024

(2) YA This ambitious novel in verse uses magical realism and fairy-tale elements to explore clinical depression and highlight the various stages of grief. Whimsy is back at the hospital again, where she has been forced to go numerous times since she was diagnosed with clinical depression. She recognizes the sadness and grief she feels, and she knows numerous coping mechanisms to manage her feelings, but she still struggles daily with her (gradually revealed) trauma. Although she is used to the hospital routine, this visit is different because she meets Faerry, a boy who knows sorrow that mirrors her own. Their bond is strengthened after their release from the facility, and together they decide to help each other cope with the pain that affects them both. When Faerry enters the Haunting Forest, a sinister plot of land that feeds on pain, Whimsy follows. If they cannot make it through, sorrow might swallow them whole, leaving nothing but death in its wake. McBride's (Me (Moth), rev. 1/22) lush free-verse poetry creates a vibrant world teetering between the real and the magical, but the images and atmosphere act as background to serious issues of trauma and suicidality. Although the subject matter is heavy, the book serves as a reminder that, as sorrow and loss come for everyone, no one is alone. Back matter addresses mental health and expands on the story's elements from fairy tales and folklore.

Reviewer: S. R. Toliver | Horn Book Magazine Issue: January, 2023

(2) 4-6 Sixth grader Vanessa is mystified and saddened by the apparent end of her friendship with longtime BFF Bailey--so much so that when she comes across a dilapidated building, once a museum, in her small Ohio town, she decides to make it into her own museum: the museum of Bailey. "Maybe by telling the story of Bailey--by laying it all out clearly behind glass--she would at last be able to understand where it went wrong." When others discover Vanessa's project--Eli from Hebrew school; her older brother, Sterling; and twin classmates Rosalie and Honore--they add their own exhibits. As Vanessa gains more insight into her and Bailey's friendship, "the story of Bailey" changes, with the labels on the items in the Bailey Wing amended to reflect Vanessa's evolving understanding. Meanwhile, the mysterious provenance of a large painting left behind in the museum adds Mixed-Up Files resonance. Other elements woven into the plot include Vanessa's compulsive skin-picking (identified late in the book as excoriation disorder) and worry over the safety of her active-service father. Sales (If You Don't Have Anything Nice to Say, rev. 5/18) manages to combine all of this into a nuanced look at friendship, family, self-knowledge, coming of age, and community, with Vanessa a strong-minded and sometimes unlikable but always sympathetic protagonist.

Reviewer: Martha V. Parravano | Horn Book Magazine Issue: May, 2023

(2) YA Stone's (Dear Martin, rev. 11/17) latest YA novel opens with a text-message exchange between two apparent strangers, one of whom has accidentally messaged the other during a night of heavy drinking. The third-person narration then alternates focus between the two of them. On her way home, Shelbi, the recipient of the mysterious message, passes a car accident and believes she sees her classmate Andy. The next chapter introduces readers to Andy as he sits in a police vehicle, having crashed his own car while driving drunk. Shelbi and Andy soon realize they were texting each other and begin hanging out. Once they become close friends, Shelbi, who has bipolar disorder, asks Andy to sign a friendship contract in order to protect herself from harmful behavior, which she has experienced in the past. But the complications aren't over, in part due to Andy's drinking. Readers will appreciate Stone's honest discussion of the critical issues of mental illness and substance abuse (a content warning also indicates self-harm). The book provides a starting point for thinking about how to set boundaries in friendships, as well as what it means to support a friend who is in need. Opening and closing notes from the author emphasize the importance of ending the stigma around mental illness.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: January, 2023

(2) YA Eighteen-year-old Alberto lives with his sister, Lupe, and her baby, Chato, in Brooklyn. While studying for his high-school equivalency, he's working painting houses for Lupe's sketchy boyfriend and expressing himself creatively at the neighborhood ceramics studio. On a job, he meets Grace, whose parents are going through a messy divorce. The two quickly bond and form a friendship, maybe more; but Alberto is troubled by a voice in his head (which he calls "Captain America") that espouses violence. Then a wealthy woman is murdered while Alberto is painting her apartment, and he becomes the only suspect. Grace harbors him, believes in him, and wants to clear his name--but he's not so sure he's innocent. Stork's (Illegal, rev. 7/20) latest propulsive psychological thriller again features a multidimensional cast of primary and secondary characters facing heightened situations (suspension of disbelief recommended). Issues of socioeconomic inequities, immigration, domestic violence, addiction, and antisemitism are well-threaded throughout the narrative; but most memorable and indelible is Alberto's struggle with mental illness: his efforts to stand up to Captain America, his uncertainty, and, by the end, comfort in being "not alone." A closing note describes Stork's own experiences with auditory hallucinations, and Mental Health and Crisis Resources are appended.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: July, 2023