(1) K-3 Illustrated by Kate Berube. Barnett and Berube offer a sensitive story about a boy grappling with stage fright and insecurity. The main character, John, walks into the narrative on the front endpaper carrying a duffle bag, his shoulders slumped and his eyes downcast. A page-turn welcomes readers into a busy school auditorium where breakfast is ending and children are beginning to sit in front of a stage. An unnamed narrator explains the school's weekly Sharing Gifts assembly and notes John's anxiety: "He was quiet at breakfast. We knew why." Barnett's use of "we" builds a sense of intimacy, reinforced by Berube's warm ink and paint illustrations depicting students with many different skin tones, hair types and textures, and affects. The pace slows and suspense builds over a number of pages that show John suiting up in his ballet leotard and contemplating what he is about to face. A double-page spread puts readers onstage with the boy looking out at students who are distracted and whispering. Then Berube's illustrations burst into motion in a series of wordless spreads as John begins dancing. He's absorbed in his joy, and his classmates--and readers--become as enraptured as he is. Barnett and Berube bring mastery of craft as well as an understanding of human nature to offer a fresh take on a familiar theme.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: March, 2022

(2) K-3 Heading to the first day at a new school, this story's young narrator boards the bus looking glum and apprehensive. Typical concerns about different teachers and friends are quickly overshadowed by a more immediate problem: "I'm on the wrong bus! AUGHHH!!!" And that's not the only issue: this bus is filled with puppies instead of children, and the oblivious (human) driver drops everyone off at puppy school. The ridiculous canine twist addresses familiar new-kid/first-day anxieties and insecurities with humor and understanding. The narrator's remark that "everything about this school is strange and different" will resonate with anyone who's been in a similarly disorienting situation. ­Brockington's spirited cartoonlike art is in on the joke: there's the all-dog cast's speech bubbles ("Woof + Woof = ?"), dog food for lunch ("disgusting"), and a fire hydrant instead of a toilet in the bathroom stall. When things seem the most hopeless for our protagonist, a few friendly (furry) faces and recess help make puppy school more welcoming. "Maybe this school isn't so bad after all." And hopefully that's what young readers embarking on new adventures will carry with them. Also, make sure you're on the right bus.

Reviewer: Kitty Flynn | Horn Book Magazine Issue: September, 2022

(2) 4-6 As his younger sister, Lola, loves to point out, twelve-year-old Arlo is afraid of everything. He has significant reasons to be anxious: his mother has just recovered from cancer; his father (divorced, with a new family) hardly seems to notice him and Lola; and now he, Lola, and their mom are stuck in a weird old-fashioned town after a car accident. Livermore is quaint, with a tiny schoolhouse and open hearths, but behind the vintage allure lies a sinister thread that Arlo picks up on right away. Why is there no cell service? Why don't the townsfolk use electricity? And why do they keep whispering behind closed doors? Arlo must convince Lola and Mom to leave Livermore before it's too late and they learn, perhaps fatally, what nameless horror the town had awakened over a century ago. Equal parts spooky and charming, the story offers plenty of suspense and relatable ties to real-world difficulties. Arlo, Lola, and Mom form a heartwarming triangle of familial loyalty and dogged optimism. Even if readers have worked out the mystery before the story's denouement, the promise of Arlo's growth into bravery will keep pages turning until the very end.

Reviewer: Sarah Berman | Horn Book Magazine Issue: July, 2022

(1) 1-3 Marisol, the anxious heroine of Maybe Maybe Marisol Rainey (rev. 5/21), makes lists of favorite and least favorite things, with gym class--specifically the kickball unit--topping the latter. Although she has never played before, she dreads it because she knows that "the spotlight shines on you when you kick. The spotlight shines on you when you pitch... Surely Marisol will burst into flames under all those spotlights." Her worries only grow as classmate Evie brags about her own kickball prowess. Kelly shows her deep understanding of the emotional lives of her characters. When Marisol is angry and embarrassed about Evie's unkind comments and her own poor skills, she lashes out at best friend Jada. "Marisol thought it would make her feel better to snap at Jada, but it doesn't. She only feels worse." The action takes place over two weeks, during which Marisol tries a variety of techniques to first avoid and then overcome (at least a little) her fears. ­Supporting characters--Marisol's father, away all week working on an oil rig; her athletic older brother, who teaches her the Ultimate Rule of Kickball; classmate Felix, who claims to talk to animals--are all fully developed and engaging contributors to the lively, realistic, and emotionally honest story. When ­Marisol finally kicks the ball and makes it to first base, readers will be cheering "way to go, Marisol" along with her classmates, teacher, and family members.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: July, 2022

(2) K-3 Illustrated by Lynn Munsinger. The author and illustrator of the hugely popular Tacky the Penguin series team up again for a book about Tacky's opposite: painfully shy Mousetta, who "never squoke a squeak." She is so shy that she walks backward to avoid meeting anyone. She scurries out of sight, she hides; she's ­nothing like the three "really popular" mice in her class who are "cool," "gorgeous," and "awesome." When Dr. Gladpaw advertises a workshop to "make you feel outgoing," she signs up and attends with a bucket on her head. To her surprise, three other mice show up with their heads covered up, too. Everyone is in peril when a group of foxes appears ("Foxes in the area! Run and take cover!"), and it is Mousetta who finds her voice and saves them all. Lester's comic timing is right on cue, and Munsinger's watercolors against bright white pages use lots of smaller panels to capture each moment of the story with humor and fun. This is a great read-aloud with lots of different opportunities for discussion.

Reviewer: Susan Dove Lempke | Horn Book Magazine Issue: September, 2022

(2) 4-6 Illustrated by Molly Brooks. Color by Bex Glendining and Elise Schuenke. Rising sixth graders Katie and Kacey, both homeschooled during the year, head to summer camp. Though Katie loves being with her best friend, she frets about feeling homesick. She's also self-conscious about being "different," with her red hair, freckles, and crooked teeth. At camp, she makes a confident new friend who "cusses" ("Backstreet Boys suck"), and Kacey seethes with jealousy and drifts away. Back home, Katie begins engaging in compulsive behaviors in an effort to "pus­­h the buzzing thoughts [depicted as a bee that won't leave her alone] away." Katie's father, who eventually guides her to a professional, helps her understand that "our thoughts aren't us. They're just our thoughts." This sensitive, deeply felt graphic novel, divided into four seasons of the year, is one that will resonate with many readers, particularly those living with OCD. The story also captures in detail a realistic homeschooling experience, including stereotypes about it: "I didn't feel like the weirdo homeschooled kid when Kacey and I hung out." Katie ultimately finds joy in theater, undergoes a scary lingual frenectomy, and learns that "maybe I could have best friends and good friends. I didn't have to choose." Best of all, she learns that many people are hounded by worries, with Brooks depicting various creatures nagging others as Katie's bee nags her. Both author and illustrator share their own childhood OCD experiences in appended notes, with Ormsbee explaining that the story is a fictionalized version of her own youth.

Reviewer: Julie Danielson | Horn Book Magazine Issue: July, 2022

(2) PS Mira has lots of first days attempting new activities, but fear of failure prevents many second days. Take gymnastics, for example, a sport full of terrible what-if? scenarios for an anxious mind: "What if she fell? What if people laughed? What if she did it the wrong way?" Believing that everyone else is better or a "natural" talent, Mira never gives herself a chance; she accepts failure and thinks of herself as a "shadow" since she's not perfect. One day, all alone at the beach, she practices ­walking--and leaping--on a driftwood log, a makeshift balance beam. She falls but gets back up and tries again. After many more tries, "it wasn't perfect. But Mira did it." She may not be an expert, but she can still participate. Pencil, colored-pencil, and watercolor illustrations highlight the character's frustration and isolation from others. Mira appears against blue backgrounds, while pink-hued bubbles feature the activities from which she has isolated herself. The contrast between the front endpapers (stationary Mira, alone) and back ­endpapers (active Mira, part of a group) hints at growth to come. Give this book to perfectionists or to those who feel too anxious to try new things.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: March, 2022

(1) PS In a series of humorous vignettes, timid pup Murray is urged to overcome his reluctance to do things by an unseen narrator, his owner. "Why don't you want to go outside, Murray?" "Why don't you want to go to the barbecue, Murray?" Each time, the dog is lured by his owner's encouragement to give the proffered activity a go, only to experience a setback. For instance, at the park, he doesn't "want to say hello to this new dog" because he's afraid it will take away his toy. The narrator reassures him that the dog is nice, so Murray does engage with the newcomer--but then is knocked off his (four) feet by an overly exuberant "WOOF! WOOF!" Stein (Interrupting Chicken) skillfully uses repetition in text, page layout, and plot sequence to closely connect the day's incidents and to build humor and characterization (it helps with independent reading, too). Mixed-media illustrations tenderly capture our protagonist's personality and expressive eyes and body language. At bedtime, Murray is afraid to sleep because of potential nightmares. But his owner praises him for trying new experiences, calling him brave, and Murray happily nods off, dreaming not of monsters but of himself as a superhero. Children who recognize themselves in Murray will feel seen and, hopefully, empowered. A gem of a picture book, expertly crafted and oh-so-relatable.

Reviewer: Martha V. Parravano | Horn Book Magazine Issue: July, 2022

(2) 4-6 In this graphic novel, Jay starts his eighth-grade year just as his acne starts to worsen to the point that he needs medical treatment for it. It's bad enough that he's self-conscious about his looks, but now he has to deal with the side effects of medication, too. Moreover, Jay is navigating the minefield of middle-school friendships and crushes. His best friend, Brace, becomes more invested in his rock band, and they grow apart, while Jay forms new friendships with classmates Mark and Amy. Over the course of the school year, Jay realizes he doesn't experience strong sexual attraction the way that many of his peers do and that he identifies as asexual. Fortunately, Jay's interest in art is a steady constant, as is his supportive family. In focusing on acne, the story centers a commonplace adolescent experience we rarely see presented in children's literature in a way that perfectly contextualizes it in the daily life of its character, never giving it (or his asexuality) too much or too little weight. It's a middle-school version of a problem novel, a kind that seems ideally suited for the medium of comics. Greene's use of color, line, and composition in his comic-panel layouts enhances the humor and angst of this particular slice of adolescent life. An appended note explains the connections to the author's own background.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: November, 2021

(1) 1-3 Illustrated by Pete Oswald. Harry Bergen-Murphy is worried about a lot of things on the night before starting first grade--getting lost, mean kids, and "scary classroom guinea pigs," among others. Fortunately, he has a deft teacher in Ms. Peek-Schnitzel, who assigns him the task of sharpening pencils as the other children arrive--the activity and knowing that "he is the special person who gets to do the pencils" ease his worries. Jenkins structures the book using the first hundred days of school; by day four, Harry, now the confident one, can distract his friend Mason when he's upset. The entire book is solidly grounded in the slice-of-life details of first grade, with the wall of sight words and "sparkly words," the science unit on apples, and activities like making family circle charts (instead of family trees). Jenkins shows everything through Harry's perspective, as when he names the other children at his table: "Wyatt, a boy with a loud voice. Abigail from kindergarten, who looks down at her hands a lot. Kimani, a girl who prints very neatly. And Diamond, a girl with a big laugh." Harry is believably imperfect in a Ramona-like way, as he squabbles with other kids, gets mad at his teacher, and gradually begins to better understand people and their feelings. Though long for an early chapter book, the book's large print, plentiful white space, short sentences with simple words, and very engaging characters will make new readers want to tackle it. Oswald's lively color pictures sprinkled throughout the book also add to its ­accessibility and show a diverse group of kids. It's funny, authentic, and insightful, with an appended author's note providing details about some of the many children's book references Jenkins has worked in.

Reviewer: Susan Dove Lempke | Horn Book Magazine Issue: July, 2021

(1) 4-6 Illustrated by Raúl the Third. Color by Elaine Bay. This ingeniously crafted illustrated novel offers a multifaceted and heartfelt take on the classic superhero story. Portico Reeves is a kid with a "secret secret"--he likes to think of himself as Stuntboy, a homegrown and self-styled superhero whose power is "making sure all the other heroes stay super. And safe. Supersafe." The selfless Stuntboy protects the quirky and racially diverse cast of characters in his apartment building, particularly his own family members and his best friend Zola. Instead of super strength or flight, Stuntboy performs a variety of odd "stunts" to help others, which also lets him burn off some energy. When he is Stuntboy, the young hero isn't affected by his anxiety, or "the frets," which are made worse for Portico by his parents' constant bickering and his relentless bullying by "Herbert Singletary the Worst." In ten episodic chapters, Reynolds employs fast-paced, realistic dialogue loaded with wordplay and humor. A parallel narrative, in the form of the television show Super Space Warriors, artfully reflects Portico's parents' impending separation. Raúl the Third's cartoon illustrations are integral, active components of the story. From the smallest possible detail in a skyline to commanding double-page action spreads, the art makes Portico's world feel real and vibrant. Bay's color work is invaluable, oscillating between pulsating palettes and subdued screentones. Keeping to the superhero tradition, the creators end on a cliffhanger, leaving readers with a promise of more adventures to come.

Reviewer: Patrick Gall | Horn Book Magazine Issue: January, 2022

(3) PS After naming several scenarios that can inspire anxiety ("When someone is being mean. / When it's dark," etc.), Parr offers constructive solutions ("Try doing something to keep yourself busy, like talking to someone special. / Taking deep breaths," etc.). Once again, the emotionally in-tune Parr and his megawatt-bright cartoon-style art are here to help young readers through a rough patch.

Reviewer: Nell Beram

(3) K-3 Illustrated by Tatjana Mai-Wyss. The forest animal friends from Bunny's Book Club are back at the library but disappointed to learn that human Josie will soon begin school. With Josie worried about making new friends, the menagerie decides to attend school, too; the critters explore classrooms before reuniting with Josie on the playground. Pleasing watercolor illustrations depict this cute spin on the first-day-of-school story with gentle silliness.

Reviewer: Renée Wheeler

(2) PS Willems's pugnacious pigeon is unsurprisingly unexcited about starting school. In direct-address text, the pigeon imagines worst-case scenarios, from the ridiculous ("What if I learn too much!?! My head might pop off") to the realistic ("What will the other birds think of me?"). Many children facing this milestone will relate to the pigeon's apprehension, though his histrionics are clearly demonstrated as such in both over-the-top text and restrained-until-they're-not illustrations.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: July, 2019

(2) 1-3 Illustrated by Sophie Blackall. Only-child Ivy takes to heart a classmate's assertion that children like her are usually spoiled. She tries many corrective measures, but ultimately best friend Bean helps Ivy see she's unselfish and thoughtful--the opposite of spoiled. The earnest, emotionally mature second graders' imaginative and somewhat rash problem-solving tactics provide energetic plot details and laugh-worthy gags. Black-and-white spot art captures and builds on the characters' personalities and this eleventh installment's humor.

Reviewer: Julie Roach | Horn Book Magazine Issue: November, 2018

(3) K-3 Illustrated by Allison Colpoys. In this Australian-import picture book, young Alfie gets a case of the nerves before the Underwater Dress-Up Parade. His anxiety (including nightmares, upset stomach, and negative self-messaging) is palpable as the event approaches. The story's resolution is realistic about Alfie's current state of readiness, with hope for the future. Striking illustrations in a limited palette (coral, blue, and seafoam) reflect the warmth of Alfie's home life, his active imagination, and his complex emotions.

Reviewer: Elissa Gershowitz

(3) K-3 It's Mae's first day of school, but she's "not going." She hides in a schoolyard tree and before long, another little girl and then teacher Ms. Pearl climb up with similar fears, which gives them all the confidence to go inside. This sweet twist on the perennial first-day-of-school theme reassures readers with its textual repetition and the illustrations' soft lines and pastel hues.

Reviewer: Kari Allen

(4) K-3 Penguin Young Readers series. In Border's easy-reader spinoff of his food-themed picture books (Peanut Butter & Cupcake!), new-to-town Peanut Butter is anxious about the upcoming first day of school. At his mother's suggestion, he practices his walk to school, soliciting advice from friends Cupcake, Egg, and Soup along the way. The story feels perfunctory, but Border's trademark color photos of wire-limbed foodstuff are as beguiling as ever.

Reviewer: Nell Beram

(2) PS Illustrated by Juana Medina. Lena isn't nervous to start kindergarten...but her shoes are. Lena enlists her headband (who is "a good listener") to talk to them, and, with fears assuaged and a bit of reverse psychology, Lena and her outfit make it to the first day. Child-friendly digital illustrations depict the shaking shoes; the happy results of previous times Lena was brave; and, finally, everyone's shoes mingling happily on the playground.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: September, 2018

(3) K-3 Translated by Saul Endor. When the titular king spies "something" (a red seed) on the ground, he jails it. To his chagrin, many days later he spots "something else" (a flower) blooming where he left the something. Like a medieval Monty Python character, the king is a lovable, laughable lunkhead. Spanish author-illustrator Guridi's comical iterations of the overblown, undersized king stand out against broken, softly sketched outlines of the kingdom of nothing.

Reviewer: Nell Beram