(1) 4-6 This emotionally complex novel set within a contemporary Orthodox Jewish community is full of immersive Jewish detail--literally, as much of the story centers around the mikvah, or ritual bath, that eleven-year-old Aviva's mother has run since Aviva's father's death; mother and daughter now live in a "shabby little apartment" above it. Mischief happens often around the mikvah (a guest's candies get unwrapped, a door's hinges come unscrewed), and the culprit is apparently a dybbuk ("a soul that won't rest," though this version creatively inverts the usual definition) that only Aviva can see. When the dybbuk creates more serious trouble, including antisemitic vandalism, Aviva must confront painful truths about her perceptions (and thus what she has been presenting to readers) of her father's "accident," her family's circumstances, and her own actions. The book creates a strong sense of the protagonist's isolation--awkward, impetuous Aviva has difficult relationships with her classmates, and communication is strained with her mother, who lives with severe depression--but remains accessible while addressing its heavy issues. Unreliable narrator though Aviva ends up being, she’s a heart-rendingly sympathetic one.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: January, 2022

(1) 4-6 In the Jewish empire of Khazaria, twelve-year-old Ziva is the only one willing to go near her twin brother, Pesah, who has leprosy (with symptoms described in vivid detail, as are the amputations Ziva performs). A vision Pesah shares with Ziva prompts her to take him on a quest to Byzantium to find a cure, or fight the Angel of Death, or both. The twins encounter figures from Jewish folklore, notably a sheyd (demon) and the aforementioned angel, presented as rounded characters who discuss and debate the nature of mortality with Ziva as she struggles to accept her impending loss with much more fury than Pesah himself has. Pasternack (Anya and the Dragon) writes with a storyteller's cadence without sacrificing liveliness, keeping emotions front and center ("She'd jab the Angel of Death in every single one of its eyeballs if that meant keeping Pesah safe"). Back matter includes a glossary and an afterword that discusses Khazaria, "for the most part...faded from memory," and how even elements of this story beyond the obvious fantasy ones are "just my imagining. And who knows? Maybe, twelve hundred years ago, a girl and her brother really did meet a demon and resist the Angel of Death on the steppe." Ziva and her community (anachronistically) consider her a responsible bat mitzvah now that she's twelve, and her stubborn insistence on taking on far too much is believable and affecting.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: September, 2022

(2) YA Hannah doesn't think too deeply about why her peripatetic mother, Malka, has always moved their family from place to place. Now, having earned a scholarship to a prestigious high school, high-achieving Hannah thinks she's finally convinced Mom to settle down. Then she wakes up on her seventeenth birthday to eyes that have turned golden and snakelike. The next day it's fangs. And then Mom disappears. An anonymous letter draws Hannah (now with ram's horns) and her older brother to a small town in upstate New York in time to sit shiva for Jitka, the grandmother they never knew, and to meet the rest of their extended Jewish family. Hannah suspects that Mom is nearby; and in uncovering her family's past, she believes she can solve the mysteries surrounding her own bodily transformations. Her search leads her to Jewish mysticism and folklore--and to the golem hidden in their barn. Interspersed chapters relate the tale of Malka's doomed teenage love affair and of Jitka's youth in Prague. Themes of family, love, identity (including LGBTQIA+ identities), betrayal, and redemption blend well with the author's meditations on religion, ancestry, dreams, storytelling, and the significance of names and naming. Hannah is an engaging protagonist, and her interactions with her family members and the ­supernatural beings she encounters guide this layered tale to a suspenseful and satisfying conclusion.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2022

(2) YA In this verse novel, Cuban American Jewish teen Ilana Lopez spends a summer with her aunt in Prague. She finds an abandoned Jewish cemetery and, while cleaning it up, encounters Benjamin, the ghost of a long-dead boy her age; and Wassermann, a man with no shadow. Accustomed to hearing stories from her family's past ("I'm Jewish-- / we're good at remembering"), Ilana is unbothered by Benjamin's ghostly state, and a romance blooms between them. But something sinister is at play: Wassermann is a vodník, a folkloric river spirit who consumes souls, and it will ultimately be up to Ilana to defeat him. The straightforward free-verse poetry is infused with Ilana's embrace of her background (most explicitly her Jewish background) and her ­awareness of her people's transient, precarious history (does her heritage "mean / moving across borders / like water / moves across stones / Or does it mean knowing / the ­Wassermanns of the world / are always one step / behind you?"). Creepy though the premise is, the thought-provoking novel is more fable than horror, as its protagonist finds a balance between past and present.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: May, 2022

(2) K-3 Illustrated by Vali Mintzi. Osnat Barzani (1590–1670) convinced her father, a rabbi, to teach her to read Hebrew, unusual as that was for a girl at the time, and her curious mind embraced Jewish learning. In lyrical prose ("Osnat loved the shapes of the Hebrew letters. One looked like a mysterious animal, and another, a creeping vine"), Samuel spins the story of a woman who studied Torah throughout her marriage and took over her husband's yeshiva after his death. She incorporates the miraculous powers that some legends grant Barzani, mainly via a dove that she heals and that helps save the synagogue after a fire. Mintzi's striking, mostly full-bleed illustrations (often luminous "gouache colors in layers") show Osnat in the beautiful, sometimes dreamlike city of Mosul (in what is now Iraq). An author's note gives background on the legends Samuel used to inspire her account of the woman whose writings don't all survive, but who is "remembered locally as the first female rabbi and the first female Kurdish Jewish leader."

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2021

(3) K-3 Illustrated by Jeffrey Ebbeler. "She made applesauce sweet / for a Hanukkah treat. / She made latkes yummy / and filled up her tummy." A rabbi celebrates the eight nights of Hanukkah with her family in this cumulative rhyming tale. Torah reading, brisket, the dreidel game, menorah lighting, and chocolate gelt are also part of the family's observance. Slightly exaggerated cartoon illustrations emphasize fun, faith, and tradition. This book will appeal most to those already familiar with holiday, which, "as we all know," helps us "...remember a miracle / from a long time ago." An appended paragraph provides some history.

Reviewer: Kitty Flynn

(2) YA Edited by Katherine Locke and Laura Silverman. This anthology by Jewish authors and about Jewish teens matter-of-factly reflect details of Jewish life rarely seen in mainstream YA. The fourteen short stories also acknowledge the variety of Jewish experience, including some diversity beyond religion, mostly in terms of sexuality. A refreshing opportunity for Jewish teens of many beliefs and backgrounds to see themselves--and for others to see them--in stories that are as much about entertainment as they are about Jewishness.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: September, 2019

(3) PS Illustrated by Christine Grove. "Today is Friday. On Fridays I wait...and wait...and wait." A boy eagerly anticipates the arrival of Shabbat as his family members grocery shop, buy flowers, do laundry, and cook. Finally, when the sun goes down and everyone sits down for a festive meal, "Shabbat is here." The cheery illustrations depict a perpetually smiling, interracial family enjoying their holiday preparations.

Reviewer: Rachel L. Smith

(2) YA Seventh-grader Ari Rosensweig is the new kid, "awkward, big, different / from everyone else." Picked on and beat up, Ari is drawn to other worlds where characters transform heroically (e.g., Avatar). The verse novel is a well-chosen format for Baron's debut, with his first-person narrative effectively revealing the protagonist"s growth step by step. Any reader who has felt like an outsider will be drawn to this verse novel.

Reviewer: Dean Schneider | Horn Book Magazine Issue: September, 2019

(3) K-3 Illustrated by Mélanie Florian. Marcy's excited to be the question-asker at her Passover seder, since "she knew a lot about questions. She asked them all the time." But her four questions--e.g., "Are worms kosher for Passover?"--aren't what her family expected. It's a gentle misunderstanding with a satisfying resolution; cartoonlike, emotive illustrations capture Marcy's enthusiasm. The actual Four Questions (and their answers) are included.

Reviewer: Rachel L. Smith

(3) YA After her father's death, New Yorker Ruth moves with her mother and younger sister to Mom's hometown, Atlanta. It's 1958, and Ruth takes to the debutante scene. Unfortunately she must hide her Jewishness (Dad was Jewish; Mom converted)--until a synagogue bombing forces the issue. Carlton paints a vivid portrait of time, place, and family. An appended author's note elaborates on the story's inspiration.

Reviewer: Elissa Gershowitz

(2) K-3 Illustrated by Rebecca Ashdown. Each night of Hanukkah, our pet-desiring narrator receives a gift that makes little sense on its own: "a hard metal lamp," "a squeezy-squirty spray bottle." It all adds up to a (living) surprise, while the family members' gifts to Grandma add up to another surprise that gives the former its name. Increasingly creative latke varieties each night add some eight-nights-is-a-lot humor. Pastel-toned illustrations create a sense of happy family celebration.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: November, 2019

(4) K-3 Illustrated by Elisa Vavouri. During the Great Depression, Pavel, a Jewish immigrant from Russia, plants trees with the Civilian Conservation Corps and gets to know other Americans from different cultures; some are more welcoming than others. This historical-fiction picture book’s text provides an accessible entry point to this element of history and to themes of assimilation; colorful, textured illustrations are eye-catching, if slightly uneven.

Reviewer: Shoshana Flax

(2) PS Illustrated by Monica Gutierrez. "On the first night of Hanukkah, / what did Barnyard Bubbe see? / One sack of meal. / 'Oh, my. Who has left this for me?'" A hoof in the illustration and a neigh hint at the answer; on the next night, two cups of oil are left with an oink. Illustrations give way to the cheerful reveal: the whole menagerie enjoying Bubbe's latkes. The pattern in this counting board book invites noisy participation.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: November, 2019

(3) 4-6 Immigrant Experiences series. This series provides general glimpses into many immigrant groups' struggles in the U.S. Vignettes (with direct quotes) of real immigrants striving for citizenship and acceptance in America add intimacy and impact to the presentation; frank discussions of discrimination are included. Photographs extend the narratives. Reading list, timeline. Glos., ind. Review covers these Immigrant Experiences titles: Catholic Immigrants, Indian Immigrants, Chinese Immigrants, Central American Immigrants, Jewish Immigrants, Russian Immigrants, Filipino Immigrants and Muslim Immigrants

Reviewer: Jeannie Coutant

(2) K-3 Illustrated by Stacy Innerst. Aaron Lansky's difficulty in finding Yiddish novels for his college studies led him to collect books first for his own purposes, then for the Yiddish Book Center in Amherst, Massachusetts (which he founded), starting in 1980. Stories of how he obtained them--meetings "over tea and cake and lokshn kugl" with older Jews; a late-night dash to a dumpster--lend both human interest and a sense of urgency to the mission. Painterly illustrations give readers plenty to peruse, with sprinkled Yiddish words and visual references to Jewish history and culture. Reading list. Glos.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: November, 2019

(2) K-3 Translated by Noga Applebaum. Illustrated by Yael Albert. In 1944, Francesco Tirelli (a real person) hides Jews from the Nazis--many in his closed-for-the-season Budapest gelateria. While in hiding, teenaged Peter (Meir's father-in-law) creates a menorah using a chocolate mold and cooking oil. The illustrations' rosy tones give way to shadowy blues, allowing the menorah's light to stand out. The gentle, smoothly translated text doesn't offer many details but should work well as a discussion starter. A hopeful tale of kindness, resourcefulness, and comfort in traditions.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: November, 2019

(4) K-3 Translated by Nancy Wellins. Illustrated by Yossi Abolafia. In ancient Jerusalem, Itamar searches for a golden bell missing from a garment he’s helping to mend; in 2011, an archaeologist finds it. The ending is abrupt, and back matter would be useful to give context to the real-life find, but the book demonstrates the human stories behind archaeology. Smoothly translated text and cartoon-style illustrations add interest and bring the long-ago setting to life.

Reviewer: Shoshana Flax

(2) PS Illustrated by Mark Teague. Yolen and Teague's mischievous dinos (How Do Dinosaurs Say Good Night?, et al.) tackle winter holiday traditions and observances--first modeling bad behavior, then demonstrating decorum. Bouncy rhymes and humorous illustrations of vivacious large-scale dinosaurs alongside staid humans combine for cheery and welcome holiday-book entries; the new slightly-taller-than-usual board book format is an apt match for the stories' outsized protagonists. Review covers these two titles: How Do Dinosaurs Say Happy Chanukkah? and How Do Dinosaurs Say Merry Christmas?.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: November, 2012; November, 2019

(4) YA Naive Ella works in a sewing workshop at "Birchwood," the English name for Birkenau (the Auschwitz-Birkenau concentration camp in fact had a workshop of just this kind). Ella develops a close friendship with Rose (with undertones of sexual attraction). Characterization and imagery are among the novel's strengths, though some readers may object to its simplifying and decontextualizing events in the name of "show[ing] universal experiences."

Reviewer: Shoshana Flax