(2) K-3 Illustrated by Abhi Alwar. "Summer is for cousins. Mom and Dad, two uncles, two aunties, Thatha and Pati, seven cousins. All of us are together." This energetic family's summer vacation, with a full schedule of daily activities, encapsulates the inevitable combination of ritual and change that permeates life. In a first-person narrative, Ravi explains how his whole extended family descends on a house near an ocean and a lake. From there, the story launches into a flurry of sandcastle building, swimming, hiking, and more. Ravi is eager for a replay of all the summers before, but his beloved oldest cousin now seems more grown-up, and Ravi worries that their relationship may have changed too. This concern is punctuated by the frustration that he can no longer find their mutual favorite ice-cream flavor. The summer starts and ends with ice cream, the circular story arc highlighting that despite growth and change, the best parts of old rituals can become new ones with a little effort. Active compositions in the warm, textured art glow with golds and purples, making the joys of summer palpable. The figures of the family, sometimes together and sometimes dispersed around the pages, are full of movement. This story, with its irresistible atmosphere, shows how to realize and share the delights of the season.

Reviewer: Julie Roach | Horn Book Magazine Issue: July, 2023

(2) YA This engaging graphic memoir depicts Suggs's formative experiences visiting family members in Mexico City and their rancho in the state of Querétaro. At home in Texas, Crís, who has a Mexican mother and a white American father, is assumed by others to be white and non-Latine. But with Mexican family, Crís (who now uses they/them pronouns) perceives being othered because of their limited Spanish and a skin tone that is lighter than that of relatives. During the trip, Crís develops a more mature understanding of their culture, their family traditions, and their mom's sacrifices. The narrative poignantly highlights the journey of self-discovery that so many young people experience--often in silence--growing up in the U.S. as the children of mixed families. Suggs's reflections are multilayered, addressing an awareness of their blended culture, concerns about weight, and processing of their emergent queer identity. The narrative is mostly in English, with untranslated Spanish interspersed; the book might be most fully appreciated by readers with basic English and Spanish reading abilities, but the graphic format helps with accessibility. Illustrations in a limited, muted palette richly portray the sights, sounds, and scents of Crís's Mexico, along with the warmth they feel for immediate and extended family. An epilogue with photos explains this narrative's source as "a combination of events from two solo trips to Mexico."

Reviewer: Nicholas A. Brown | Horn Book Magazine Issue: May, 2023

(1) 4-6 When he turned twelve, Jeremy Ryden wondered if it was time to tell his parents that "when it came to love and romance, his feelings were aimed at other guys." He kept quiet when he received Uncle Becker's embarrassing birthday card featuring a female lifeguard on a tropical beach, which elicited a whistle, laugh, and a slap on the back from his father. Now, six months later, on a two-week beach vacation, in a house perched "on the edge of the world," Jeremy feels the "shimmering feeling of ­possibility." And sure enough, he meets Evan. Their relationship begins in text messages, where every punctuation mark and nuance seem to matter, and leads to running on the beach, talking about birds (and even creating a coded language of seabirds), and holding hands--the beginning of a tentative and gentle romantic relationship. Taylor's straightforward narrative uses messaging and dialogue to great effect, and the limited-omniscient point of view allows readers to know what Jeremy is thinking all along the way. A warm-hearted story that affirms and celebrates a tender relationship between two boys. Back matter includes a glossary, a note about the birds, and an author's note.

Reviewer: Dean Schneider | Horn Book Magazine Issue: September, 2022

(2) YA Without knowing the identity of the man who was her sperm donor, seventeen-year-old Harper feels that "half of her is a blank." Then she meets Dario, her half-brother, and learns that there are forty-two half-siblings...and that they've located the man himself. So Harper, Dario, and two other half-siblings travel to Hawaii to meet Beau Zane, where, to Harper's relief, Beau and his mother welcome them. Beau teaches them how to dive, his passion, which quickly becomes Harper's passion, too, and when their beloved diving spot is threatened, Harper and her new family feel compelled to try to preserve it. Caletti (One Great Lie, rev. 9/21) captures our collective anxieties (the story is set in the second year of the COVID-19 pandemic) as well as the constant intrusion of electronic devices, especially the numbing, manufactured perfection of social-media "squares." The natural world is offered as the antidote: when Harper sees a jellyfish on her first dive, she is "so there, so present in this profound moment, that if you reminded her again that she once felt empty, she'd hardly believe it." The summer is full of similar moments of wonder, in which Harper feels connected to Beau, her newfound siblings, history, and "every living thing"--including herself. A rich, contemplative story about looking beneath the (literal and figurative) surface to find love, purpose, and joy.

Reviewer: Rachel L. Kerns | Horn Book Magazine Issue: September, 2022

(1) 4-6 Illustrated by Kat Fajardo & Azzi Mariana. All Sue (Suyapa Yisel to her family) Gutiérrez wants to do this summer is hang out with her Comics Club buddies at Camp Willow. But her overprotective mom has planned a family trip to Honduras to see Abuelita Rita and celebrate Sue's quinceañera--a party she never asked for and would rather skip. Feeling doomed to a boring and uninspiring summer, Sue finds that spending time with her abuelita, an artist herself, is anything but dull. Rita's consejos--advice, wisdom, and family stories--help Sue gain a new closeness to her family and learn to cherish cultural traditions. With the coming-of-age ceremony, she resolves to "be braver and embrace [her] true colors," adapting the longstanding tradition in a way that lets it remain relevant to her own life. Fajardo's deft graphic-novel paneling and expressive use of line and Azzi's color palette of cool blues and pinks convey the complexity and full range of Sue's feelings, both in important moments and in more mundane ones. An author's note, additional information about quinceañeras, and photographs are appended.

Reviewer: Lettycia Terrones | Horn Book Magazine Issue: May, 2022

(2) K-3 Nina's two grandmothers live far away from her and far apart from each other. Though the text does not state exactly where, the dedication ("For my British-American-Malaysian family") and cultural and geographic markers indicate the U.K. for Nana and Southeast Asia for Nenek. Both settings are "somewhere very different" for Nina (whose own view looks like San Francisco). But whether working in the garden, playing board games, or visiting the seaside, Nina is made to feel right at home. Nina's visits with her ­grandmothers are shown side-by-side on well-designed pages, with an engaging, accessible text and featuring cozy yet vibrant illustrations that were "painted on tea-stained paper, using watercolors, many tiny brushes, and a crow quill dip pen" and digitally edited. Differing background colors, patterns, and cultural motifs signify the two different settings, with the unifying features being open arms and warm hearts. Though the premise is somewhat sentimental, the story avoids mawkishness with the art's eye-catching details and the characters' endearing uniqueness (see Mom's blue-streaked hair). In whichever setting she finds herself, Nina feels secure in her family's love as well as in her own multifaceted identity.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: September, 2022

(2) 4-6 Breda didn't believe her single mother would really send her from Chicago to Ireland's Dingle Peninsula for the summer if she got caught stealing again, but her theft of a classmate's gym shorts earns Breda a visit to the grandfather she's never met. Granda is the epitome of the elderly taciturn farmer, and although he at first seems as unenthused as Breda is about the arrangement, he slowly warms up to her. Breda settles in, exploring the village and finding friends on a Gaelic football team, and she wonders if she might also meet the father who's never been part of her life. When a health crisis waylays Granda, Breda is able to both take charge and rely on the community she's developed, putting her newfound confidence to work and expanding her definition of family. She also develops a new appreciation for her mother, an undocumented immigrant who has spent years working for others and is finally able to start her own business. Foley does an excellent job of building the Irish setting--with the help of Granda's role as a traditional storyteller. Foley's forthright approach to puberty and periods, which are among Breda's experiences, is refreshing. This is a quiet book, with an emotionally charged conflict that often simmers beneath the surface of the page, made possible by the authentic and fully realized characters.

Reviewer: Sarah Rettger | Horn Book Magazine Issue: July, 2022

(1) 1-3 In this moving, mostly wordless graphic novel, a young girl of Chinese descent visits her grandmother on her own; the bond between the two deepens through their shared joy in storytelling and in observing nature. Central to the story is a flamingo, a wild rescue bird that Lao Lao (the grandmother) had saved and raised years ago when she was little. Guojing's expressive digital, watercolor, and colored-pencil illustrations have a timeless, cinematic quality, switching back and forth between the grandmother's bright, tropical childhood awash in shades of yellow, pink, and blue and the gray-hued present. This contrast becomes even greater when the granddaughter flies home (via a flamingo-pink airplane) to her family's lonely apartment in an imposing skyscraper-filled metropolis. A fantastical appearance by the titular character toward the end brings this gentle tale of family love--spanning time, distance, and generations--to a satisfying, heartwarming close. With its unfussy art and few words, the story leaves room for viewers' interpretation; what's never in question is the love between Lao Lao and her granddaughter.

Reviewer: Michelle Lee | Horn Book Magazine Issue: November, 2022

(4) 1-3 Pug Pals series. While their human is away, pugs Sunny and Rosy "vacation" at their human grandparents' house where they enjoy special snacks and the spacious yard. When Grandma accuses the (innocent) two of ruining her garden, an investigation reveals a friendly but clueless groundhog is the culprit. Abundant black-and-white illustrations adorn every spread of this cozy (if slight) mystery.

Reviewer: Pam Yosca

(4) K-3 Translated by Elizabeth Law. Illustrated by Simon Bailly. When Thomas can't find his parents on the beach, he discovers a book--in which he's in another vacation setting and finds another book. Each book, bound inside the other, has a smaller trim size and a text that repeats exactly as colorful, intriguingly textured illustrations show Thomas next exploring a ski slope and then outer space. This French import's conceit, while clever, has limited reread appeal.

Reviewer: Maeve Visser Knoth

(2) K-3 Illustrated by Ruth Chan. In this mischievous comedy, as the humans leave in a camper van, bears, beavers, deer, and skunks move into their house. The deer bring a karaoke machine; the beavers take over the kitchen; etc. The animals' week of excess leads to chaos before they all depart, cheerfully promising to return next year. Expressive cartoon illustrations play up the outlandish humor inherent in forest creatures vacationing indoors.

Reviewer: Julie Danielson | Horn Book Magazine Issue: March, 2019

(3) YA California girl Kimi is visiting her grandparents in Japan over spring break. On the trip, she learns more about her family, discovers a direction for her future--and finds romance with a guy who wears a mochi costume. Although readers will recognize Kimi's passion--fashion--long before she does, they'll be drawn in by the setting and Kimi's enthusiastic narration.

Reviewer: Rachel L. Smith

(2) K-3 On vacation with his family, a child waits for his friend Chicken Smith, who usually stays at a nearby cabin (observant readers will notice the for-rent sign). Our narrator reminisces about previous summer escapades, including their favorite pastime--searching for whales--while his sister repeatedly calls for him to see something important. Teals, grays, and blacks dominate Mackintosh’s scratchy, loose-lined illustrations in this poignant Australian import about change.

Reviewer: Julie Danielson | Horn Book Magazine Issue: September, 2019

(3) 1-3 Ana & Andrew series. Illustrated by Sharon Sodo. In each of these short chapter books, siblings Ana and Andrew enjoy family and learn a bit about their history. With extended family, they visit the National Museum of African American History, celebrate Carnival, make snow cream, and visit their grandparents in Savannah, Georgia. The books feature breezy dialogue, text-supporting illustrations, and informative if not in-depth storytelling. Review covers these Ana & Andrew titles: Dancing at Carnival, A Day at the Museum, A Snowy Day, and Summer in Savannah

Reviewer: Maeve Visser Knoth

(3) 1-3 Ana & Andrew series. Illustrated by Sharon Sordo. In each of these short chapter books, siblings Ana and Andrew enjoy family and learn a bit about their history. With extended family, they visit the National Museum of African American History, celebrate Carnival, make snow cream, and visit their grandparents in Savannah, Georgia. The books feature breezy dialogue, text-supporting illustrations, and informative if not in-depth storytelling. Review covers these Ana & Andrew titles: Dancing at Carnival, A Day at the Museum, A Snowy Day, and Summer in Savannah

Reviewer: Maeve Visser Knoth

(3) YA Hugo's girlfriend dumps him right before their pre-college train trip across America. He's got the tickets, but he needs someone with his girlfriend's name to get him on the train. Mae answers his ad; unexpected romance ensues. Although Hugo is a British sextuplet looking for his own identity and Mae's an American film student, their alternating narratives share an appealing mix of reflection and buoyancy.

Reviewer: Lisa Catherine Findlay

(2) K-3 In this surreal, wordless summertime story, a young girl explores outdoors until her grandfather calls her inside. They walk to the train station to meet a small, sailor-hat-wearing elephant, who brings stress and disharmony. After the elephant departs, the girl returns to exploring nature--but not before a final moment of surprise. Lush colors and screenprint patterns radiate from the roughly textured pages, creating an open-ended, dreamlike reading experience.

Reviewer: Elisa Gall | Horn Book Magazine Issue: July, 2018

(4) K-3 Rodale Kids Curious Readers: Positive Power series. Illustrated by Eren Unten. In Brave, a girl conquers her (small) fears on a family beach vacation. In Strong, a boy takes the lead during his school's field day events. Both easy-reader stories, with their "Positive Power" messages and somewhat static digitally-colored pencil illustrations, are reassuring if a little bland. Review covers these Rodale Kids Curious Readers: Positive Power titles: I Am Brave and I Am Strong.

Reviewer: Elissa Gershowitz

(3) YA In this sequel to 99 Days, Molly faces belated fallout from her messy love triangle when she and her new boyfriend run into old love Gabe (and his girlfriend) while on a European vacation. Suddenly traveling in a foursome, Molly must reconcile her new life with the reckless girl she's tried to leave behind. Molly's struggle to embrace her true, flawed self is compelling in this otherwise light travelogue.

Reviewer: Rebecca Kirshenbaum

(3) K-3 A girl who's just returned from a beach vacation discovers a clever way to extend it: she flings the yellow sand from her shoes into her yard, and it grows a field of yellow beach umbrellas, a crop of lemon-flavored ice-cream cones, and so on. Delacroix adds another layer of dazzle by working largely in black-and-white, which makes the book's yellows shine extra-bright.

Reviewer: Nell Beram