(2) YA Sixteen-year-old Cooper King has always tried to follow his father's admonition to avoid political protests for his own safety. But then a schoolmate is shot by the police, and Jason, who is like a big brother to him, plans to loot a high-end fashion boutique during a peaceful protest against racist police violence: "Every time they take one of ours, it's tax season...I'll use that bread to build up the neighborhood, on some real Robin Hood type shit." Cooper is caught between his father's advice and wanting to help the cause. He decides to join Jason in robbing the store—but then shots are fired, a woman is dead, and Jason is arrested for murder. His younger sister, Monique, collaborates with Cooper to find the real culprit and free her brother, but Cooper doesn't tell Monique of his own involvement, even as their friendship turns increasingly romantic. Tension escalates during their sleuthing as they encounter "dirty cops, double agents, [and] confidential informants." As he did in Promise Boys (rev. 1/23), Brooks writes with easily readable prose, abundant dialogue, multiple points of view, and astute social commentary, artfully constructing a complex murder mystery that will engage and involve readers.

Reviewer: Dean Schneider | Horn Book Magazine Issue: July, 2025

(2) YA Illustrated by Mithil Thaker. In his latest work of narrative nonfiction, Bascomb (recently The Race of the Century, rev. 3/22) delivers a clear and absorbing account of Mohandas Gandhi's ("or, as many of his countrymen called him, 'The Mahatma' [Great Soul]") Salt March and its impact on the world. The book details how Gandhi (1869–1948), educated in London, spent two decades in South Africa developing and applying his theory of nonviolence before returning to India. When he devised his civil disobedience campaign of marching to the sea to collect salt in protest of the heinous British salt tax, he was accompanied by several dozen devout followers. The 1930 march helped to unite the diverse country behind Gandhi and brought attention to the unjust violence of the British occupiers. The book provides perspective on how the Salt March transformed the Indian independence movement in important ways, although complete independence would not happen for another fifteen years. Bascomb covers a lot of ground in these pages, in terms of both chronology and geography. A map would have been welcome, but portraits of the leading characters preface the narrative, and occasional black-and-white illustrations add visual interest. A bibliography, source notes, and an index (unseen) are appended.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: November, 2024

(2) YA Dyson and Favreau (Unequal: A Story of America) explore the history of the right to vote in the United States, presenting the complexity of America's election system in an accessible manner. This approach can inspire readers to dig deeper, see their communities reflected in past struggles, and make connections that help inform current events, finding ways to participate in the electoral process. Organized into three sections -- Promises, Awakening, and Two Roads -- the book features tales of famous and lesser-known voting-rights advocates to explain how countless Americans have been denied the right to vote, in contradiction to the modern understanding of the country's founding vision. The personal stories provide examples of courageous leaders who helped disenfranchised voters have their rightful say in government while also exploring how social justice movements, such as women's suffrage in the late nineteenth century, often left underserved communities behind. The authors avoid a specific partisan lens for their commentary; however, they affirm that for this country to live up to its promise as a democracy "of the people, by the people, for the people," all Americans must protect the right to vote. Black-and-white photographs and archival images ably support the text. Back matter includes suggestions for "What You Can Do," a timeline, further reading, and an index (unseen).

Reviewer: Nicholas A. Brown | Horn Book Magazine Issue: November, 2024

(2) 4-6 Eleven-year-old Sunny Parker lives with her father, the manager and handyman of Del Mar Garden Apartments, an affordable housing complex. She had anticipated that the summer before middle school would be boring but is propelled into activism when she realizes that protests against a new housing project oppose the people in her own community. Despite her father's desire that she stay out of things, Sunny starts a petition in support of the new housing project with best friend and neighbor, Haley. Through her interactions with those from various economic backgrounds and with an array of family structures, and abilities, Sunny's understanding of the world around her expands, and she finds the courage to stand up for others. A conversation with Haley, who is Black, helps Sunny recognize her white privilege, although the girls share similar circumstances: "I didn't feel like anyone's past was determining my future. I may have lost my mom, but I still blended in around town, even with my used clothes." Though the story thoughtfully tackles serious topics such as domestic violence and structural racism, Sunny's hopeful perspective and commitment to community care enhance the swiftly paced narrative. Ultimately, Sunny's journey is a celebration of the power of empathy, intergenerational friendships, and collective action -- potentially inspiring readers to create positive change.

Reviewer: Kristine Techavanich | Horn Book Magazine Issue: May, 2024

(2) K-3 Our hardworking protagonist, the newsboy, wears many hats. Though his primary job is "to bring to the town of Bad Goodsburg their daily news," he also acts as chimney sweep, shoe shiner, and milk deliverer. "He was assured by the townspeople that this was a fair arrangement." One day breaking news brings an upsetting update: the local wishing well is on the fritz, leaving the town's doctor, shopkeeper, and baker's purportedly altruistic wishes (health, happiness, and sustenance for all) ungranted. They call on the newsboy to investigate, and he discovers several unexpected, and humorous, truths. With three brief sections, the narrative is well paced and easy to follow. Digital illustrations in a limited palette have the look of chunky, weighty woodcuts combined with simple-shaped children's drawings; faces are round or oblong, noses are red circles, and eyebrows look like smiles or frowns. There are unique perspective shifts, too, such as the newsboy looking into the well -- and the spider gazing back up from inside. In the end, the three mendacious wishers are brought to "justice...sort of," and a twist conclusion sees the put-upon protagonist seizing his opportunity -- and then some, thanks to a little blackmail and extortion.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2024

(2) YA Lamar Phillips, a contemporary middle schooler in Morton, Louisiana, wants to be a filmmaker. With the new camcorder his grandfather helped him buy, he interviews students, records school football and baseball games, and films scenes in the neighborhood, but he feels like "nothing ever happens in Morton" and intends to do something bigger with his filmmaking. Gramps, a Black civil rights activist and Freedom Rider of the 1960s, has always stressed the importance of learning his past, where he came from -- Harriet Tubman, Sojourner Truth, Ida B. Wells, Dr. Martin Luther King Jr. -- and Lamar begins to see how interesting Gramps's own story is. He "worked the crops" for Old Man Claude, lived in a house with no plumbing, didn't go to school much, and fought in Vietnam. Lamar wants to make a documentary about Gramps, but when his grandfather is killed by a known former Klansman, Lamar films the resultant protests and the MAGA counter-protests. In straightforward, unadorned prose, Hudson (Defiant, rev. 11/21) tells an important story about an all-too-common contemporary tragedy and manages to be angry and hopeful at the same time. For a slim volume, the book carries the weight of a difficult history and the urgency to carry on the fight: "Listen, son, now is your time. It's your generation that's got the future in its hands." And with his video footage, Lamar intends to do justice to his grandfather's story.

Reviewer: Dean Schneider | Horn Book Magazine Issue: January, 2024

(2) 4-6 Illustrated by Claire Powell. Young detective Shenanigan Swift is at it again. In this sequel to The Swifts: A Dictionary of Scoundrels (rev. 1/23), a robbery of a painting at the family home leads our fearless and hilarious hero and her bevy of eccentric relatives to a new mystery and a new location: Paris. It turns out that the Swifts are linked to a French family, the Martinets. The two clans have been at loggerheads, off and on, since the Norman Conquest. The search for the Swifts' stolen painting leads them to become involved in a radical art-heist group whose mission is to steal art and return it to the original owners, a sort of Robin Hood enterprise. The plot is acrobatic in its complications. While the first book goofed around with the conventions of the English country house mystery, this one revels in the tropes of the stylish French "gentleman thief" tradition (think Arsène Lupin) while presenting the opportunity for outrageous wordplay in two languages and surprises aplenty. It keeps readers on their toes as it sparkles with energy, wit, and good humor. (Final art unseen.)

Reviewer: Sarah Ellis | Horn Book Magazine Issue: September, 2024

(1) 4-6 Momo has spent her entire life in her beloved Town 99, a fictional setting resembling real-world Chinatowns but where humans and anthropomorphic animals from different cultures coexist. Gentrification threatens the survival of Noodle & Bao, the restaurant run by Momo's best friend's ah-ma (grandmother) -- and it also threatens Momo's own housing situation. Not content to stand by and do nothing, Momo makes plans to organize Town 99's residents against the corporation funding the town's gentrification. Lu's clean and expressive graphic-novel style, with most characters drawn with exaggeratedly round features and figures, radiates gentleness and warmth. The limited two-tone palette of black and red, combined with a mix of flat coloring and screen tones, creates contrasts and highlights as well as visual variety and texture. The use of multiple Chinese languages (Mandarin and Cantonese), usually but not always accompanied by English translations, represents the linguistic diversity of the setting and appeals to audiences with multiple literacies, adding layers of nuance and enjoyment for those in the know. Blending silly moments and fantastical elements with a more serious real-world issue, this book serves as both a loving tribute to Chinatowns and an invitation to young readers to stand up against injustice in their own communities. Back matter gives information on Chinatowns, gentrification, community organizing, and language.

Reviewer: | Horn Book Magazine Issue: January, 2025

(2) YA In this verse novel, Sónia is living to the fullest as much as a fifteen-year-old girl can under the Salazar dictatorship in 1960s Portugal. She writes free-verse poetry, though the nuns at school deride it; loves her protester boyfriend, though he is imprisoned; and works in her family's restaurant, until they lose everything for hiring a "banned musician who sang a banned song." Sónia's world grows bleaker and more volatile as friends abandon her and her parents treat her with hostility, blaming her for their misfortunes. As Sónia seeks respite in other friendships and relationships, she tries to determine how she wants to live: as a protester against injustice, or safely and comfortably. Miller-Lachmann's free-verse poetry captures the exquisite and the harrowing, the potent longing in romantic moments as well as the physicality in brutal ones: beatings from Sónia's father and from police, the blistering burn from a workplace injury. Both the verse format and the intensity of the protagonist's lived experiences and choices make this story about the power of teenage resistance a page-turner. Back matter includes an author's note with historical background, discussion questions, a glossary, and further reading.

Reviewer: | Horn Book Magazine Issue: July, 2024

(1) K-3 Illustrated by London Ladd. This picture-book biography begins with Evers-Williams (b. 1933), the first woman to chair the NAACP full time, speaking at President Barack Obama's second inauguration in 2013. "Her voice -- strong yet gentle. Soft -- but powerful." But in flashbacks, readers learn that she didn't always feel comfortable speaking up. Evers-Williams was born and raised in Vicksburg, Mississippi, when "whites only" signs proliferated and "hate ran as deep as the Mississippi and Yazoo rivers." Salomon's lyrical prose makes some of the hard parts of Evers-Williams's story easier to digest, such as when the future civil rights activist realizes that her dreams of becoming a concert pianist are unlikely to come true due to discrimination. Salomon shows restraint while discussing the assassination of Evers-Williams's husband, civil rights icon Medgar Evers, but still effectively conveys the racism she lived with daily, in spare, straightforward language. Ladd's illustrations, created with acrylic paint, cut paper, tissue paper, and colored pencils, capture the despair and determination of Evers-Williams in confronting racist bullies as a child and in the aftermath of her husband's murder. Following his death, Evers-Williams finds her voice in working to bring his killer to justice and in continuing to fight for civil rights. Appended with an author's note and a timeline.

Reviewer: Marva Anne Hinton | Horn Book Magazine Issue: November, 2024

(2) YA Adriana Zarahn was in the wrong place at the wrong time, helping the wrong friend, and now she's at Compass, a juvenile detention facility, for seven months. The facility is separated into a girls' and a boys' side, with each side using the cafeteria and library at different times. Adriana pours her thoughts and feelings into her journal but then accidentally leaves it behind in the library. When she finds it later, shelved in the Zs, somebody else has written notes in it. Thus begins her correspondence with Jon from the boys' side. Unlike Adriana, Jon has been at Compass for a while; the exact nature of his crime is a mystery that drives the plot. The story is told in a third-person, present-tense voice that follows Adriana and Jon in alternating sections. They may not be able to trust their peers or the adults in the system, but they form a bond that deepens over the course of the novel and blooms into love. If only they could find a way to meet. While the story stretches credulity in spots, the coauthors have crafted an immersive reading experience with elements of romance and intrigue even as it provokes readers to consider the inherent flaws in our juvenile justice system.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: September, 2024

(1) YA Miles Abernathy lives in a struggling West Virginia town in 2017. Power is monopolized by the Davieses, the family of the sheriff and the Abernathys' mortal enemies in a blood feud that began with the murder of Miles's great-great-grandfather, who dared to challenge the corrupt ruling class. Tired of the Davieses' ruthless pursuit of dominance and control, Miles tries to undermine the sheriff but is wholly unprepared for the chain of events one small act of defiance sets off. White (The Spirit Bares Its Teeth, rev. 11/23) crafts a high-stakes thriller that is atmospheric and suspenseful -- with a touch of the supernatural -- while also nuanced and incisive in its exploration of violence (at times extreme and graphically depicted) and its impact on individual and collective psyches. The story raises and addresses questions of power, agency, and complicity through an intimate first-person narrative of a teen who feels the injustice of the world on a deep and personal level and must decide how far he is willing to go to change his situation. Miles also experiences the trials and tribulations of coming out as trans in a small town, realizing that he is autistic, and questioning his romantic orientation. These elements are well integrated into the story and coincide with developments in the thriller plotline, making for a multilayered, engrossing read.

Reviewer: | Horn Book Magazine Issue: November, 2024

(1) YA Yoo (From a Whisper to a Rallying Cry, rev. 5/21) provides a comprehensive, kaleidoscopic account of what happened before, during, and after the 1992 Los Angeles uprising from multiple points of view, with a strong focus on the disproportionally targeted Korean American community. The deadly violence and turmoil in South Los Angeles and Koreatown were sparked by outrage over not-guilty verdicts for four police officers who beat Black motorist Rodney King, and at the lenient punishment for the Korean store owner who killed teen Latasha Harlins in a dispute over a bottle of orange juice. Using extensive research and original reporting, Yoo creates deeply humanizing portraits of King; Harlins; Edward Jae Song Lee, a young man killed trying to protect a restaurant; and their families. Yoo's account includes how police decisions and sensationalized news coverage escalated the civil unrest. She offers context for additional contributing factors -- decades of systemic racism, police corruption, endemic poverty, gang and drug violence. Hopeful elements include stories of civilians saving and helping others, a massive peace rally that galvanized Korean Americans, and two more trials in King's case. The text concludes with an update on the victims' families and others and an analysis of changes within the neighborhoods. A powerful and compelling history book that shows how the past still affects the present. Extensive back matter includes an "in memoriam" to all victims; source notes; a bibliography, and an index (unseen).

Reviewer: Michelle Lee | Horn Book Magazine Issue: May, 2024

(1) YA Boulley returns to Sugar Island, Michigan, in 2014, ten years after the events of the multi-award-winning Firekeeper's Daughter (rev. 5/21). This novel's protagonist is Daunis's sixteen-year-old niece, Perry Firekeeper-Birch. Perry reluctantly joins her more-driven twin sister, Pauline, on a summer internship at the tribal museum (laid-back Perry had wanted to spend the summer fishing). At the internship, Perry learns about the Native American Graves Protection and Repatriation Act (NAGPRA) and also discovers that a local college has a large, uncataloged collection of human remains and artifacts that likely belong to her tribe, the Sugar Island Ojibwe. When a professor shows her the bones of a teen known as the Warrior Girl, Perry knows she must get them back to the tribe for a proper reburial, even if it involves illegal means. Boulley skillfully weaves in not only the issue of stolen Indigenous artifacts and remains but also that of missing Indigenous women, girls, and Two-Spirit people. Through Perry, readers learn how lack of federal resources and inadequate federal laws make it nearly impossible to investigate missing-persons cases on tribal land. Another powerful, vividly characterized, riveting page-turner from Boulley that will keep readers rooting for the resourceful Perry on her quest to return the Warrior Girl to her rightful resting place and for Perry's personal growth as she finds her life's passion and purpose.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: May, 2023

(2) YA Principal Kenneth Moore is dead, shot in his office during a basketball game. The influential Black founder of the all-male Urban Promise Prep School and a pillar of the community, he sought to give the boys at his school a shot at college--at the cost of a draconian code of conduct. Three students of color--a talented basketball player, a bright college hopeful, and a budding culinary star and entrepreneur--are instant suspects in the crime, each with a motive for their principal's demise. Thrown together by their in-common circumstances, these three young men must become quick allies as they race to investigate the case and attempt to clear themselves of any wrongdoing. Will justice be served or will they fall victim to a flawed system? A riveting murder mystery wrapped in social commentary, the novel offers a fresh, contemporary take on an old-fashioned whodunit. It also shines a light on the plight of Black and Latino youth, who are often the targets of an inequitable and unequal justice system. Told from multiple perspectives with interspersed ephemera and extended flashbacks, the story builds to an exhilarating crescendo.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2023

(2) YA Twelve-year-old Lawrence is in a losing season of his young life. Due to his father's incarceration, Lawrence, his mom, and his little sister relocate from their home in Charlotte to rural North Carolina to live with his strict, no-nonsense grandmother. Then he's expelled from his predominantly white school for fighting. Feeling bullied and betrayed, Lawrence starts volunteering at the Carver Recreation Center in order to keep busy and get out of the house. There he meets Deuce, a possible nemesis, and Twyla, a crush who gets him interested in learning chess. When the opportunity to return to Charlotte as part of a chess team comes up, it could be just the thing to turn around his current losing streak. Giles (Take Back the Block, rev. 7/21) gives readers another memorable character in Lawrence, a relatable middle schooler who feels misunderstood and alone but finds support in his community. Chess becomes a metaphor for life as he learns to navigate his current challenges. A sensitive yet joyful narrative about redemption, the story also nods to issues such as inequitable disciplinary practices in schools; the negative impact of incarceration on families; racism; and classism. The importance of caring adults and of working through conflict are highlighted in this well-written story about a boy who deserves a win.

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2023

(2) YA Like so many young Black men, Andre Jackson feels invisible. Falsely accused and convicted of a crime, Andre emerges from juvenile detention intending to return to some sense of normalcy. However, he comes home to his rapidly gentrifying Portland, Oregon, neighborhood just as the world is plunged into a global pandemic. His friend Eric, who Andre hoped would help clear his name, is missing, which raises questions around why Eric's seemingly perfect, diverse family appears unconcerned about his vanishing without a trace. Are Andre's arrest and Eric's disappearance connected? As Andre begins to unravel the secrets around Eric and to make sense of his own post-release reality, he dares to pursue freedom in a world closed in by the COVID-19 pandemic, racism, and violence that is brewing much closer than he realizes. Johnson's (This Is My America, rev. 9/20) mystery-thriller is a gut-wrenching first-person look at the life of a young man who feels his disposability as a Black teen within the justice system while witnessing with the world the extrajudicial murder of George Floyd. The isolation of the pandemic and the intensity of the Black Lives Matter protests provide the backdrop to a riveting story line that is also a social commentary on power, privilege, marginalization, and the carceral system and its impact on Black men. Back matter includes an author's note and resources on topics including youth incarceration and transracial adoption.

Reviewer: Monique Harris | Horn Book Magazine Issue: July, 2023

(2) YA The morning after attending a fair run by (fictional) Faber College's fraternities, fifteen-year-old Nora wakes up on the golf course without any memory of how she got there. Her best friend, Camille, is by her side and explains that the night before, three guys removed Nora's underwear and hung it from a flagstick at the course before their classmate, Adam, chased them away. As Nora grapples with the implications of what ­happened--and what could have happened if Adam hadn't intervened--Cam and Adam decide to find out who the guys were. Their investigation leads to unsavory revelations about one of Faber's fraternities and about the college's charismatic, beloved athletic director--who is also Nora's dad. The victim-shaming that follows is depressing but familiar; the novel unflinchingly exposes the sexism inherent in excusing men's assaultive behavior while blaming women because of how they're dressed or how much they drank. More subtle but equally devastating is the fall from grace of Nora's father, "her favorite person in the world"; his refusal to accept responsibility adds a layer of trauma and makes it more difficult for Nora to speak out. Her eventual decision to formally accuse her attackers is a powerful one as she courageously reclaims her voice and her story: it's a small, satisfying step toward justice.

Reviewer: Rachel L. Smith | Horn Book Magazine Issue: May, 2022

(2) YA Beau, a gifted Black sixteen-year-old artist living in Chicago public housing, idolized her older sister, Katia, even though Katia had begun to make questionable decisions under the influence of her boyfriend, Jordan. After Katia is gunned down by a white off-duty police officer accusing her of trying to break into his house, Beau believes that Jordan--who has gone missing--is to blame. She begins to search for Jordan in hopes of clearing her sister's name and soon discovers that she is not the only one looking for him, and that her search could risk the lives of everyone she cares about. As she wrestles with her own grief and the tragedy's effect on her family, Beau also makes rash choices in her attempts to prove her sister's innocence, even as she comes to realize Katia had more secrets than she'd thought. While the reader is drawn to Beau, her first-person narrative reveals motivations that seem counterintuitive, rendering her both a sympathetic and flawed character. Interspersed flashbacks to Beau's time with Katia deeply intertwine themes of love and grief. The mounting action culminates in a complex but comprehensible conclusion, given the unfortunate flaws and loopholes of the judicial system. Fans of Thomas's The Hate U Give (rev. 3/17) will find this a compelling read-alike.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: July, 2022

(2) K-3 Illustrated by J Yang. This timely picture book by activist Grimm, with help from author Lukoff (When Aidan Became a Brother, rev. 7/19) and artist Yang, tells the true story of young Gavin's charge into the fight for transgender rights. Like many kids, Gavin is able to make certain decisions himself. Will he eat a worm on a dare? Probably not. Will he sneak a pet frog into his room? Likely, yes. However, there are some choices kids don't make, including the gender they're assigned at birth. But Gavin can choose whether to come out to his family and to face down bigotry within his community. When his school challenges his right to use the boys' bathroom, Gavin stands up for himself and other transgender students by speaking at a school committee meeting, and later, on national news and in court alongside the ACLU. Though Gavin faces intimidating opponents, the text remains encouraging from the first page to the last. Yang's dynamic digital illustrations have a comics-style quality; Gavin's determination as he encounters new challenges and questions what to do is clearly conveyed. Background characters represent individuals of many skin tones, sizes, abilities, and cultures. The transgender flag's cotton-candy pink and light blue shades appear in soft clouds overhead and on protest signs on several pages, perhaps as a reminder that Gavin is not alone in his fight for justice. This true story of courage and resiliency is sure to inspire young advocates everywhere. Notes from the authors are appended.

Reviewer: Hill Saxton | Horn Book Magazine Issue: July, 2022