(2) 4-6 Banks weaves mystery, history, and heart into a fast-paced adventure. Twelve-year-old Zeus is the only one who still believes in his grandfather’s incredible stories about the Harlem Renaissance, including tales of a legendary magazine called Burn!!! and a lost ancestor and hidden treasure. When Zeus stumbles upon a page from Burn!!! stashed in a toaster, and his grandfather mysteriously disappears, the lines between myth and reality blur. Zeus and his friends are thrust into a high-stakes race, following a treasure map filled with riddles, clues, and long-buried secrets. The narrative does an excellent job connecting young readers to important elements of Black history and the Harlem Renaissance, while puzzles and surprises add an interactive element. Beyond the action and mystery, the story explores themes of family, identity, and the power of legacy in shaping the future. As readers cheer for Zeus as he navigates the dangers and discoveries that come with chasing a legend, they will be delighted by engaging characters, an irresistible plot, and a breathtaking cliffhanger ending.

Reviewer: Monique Harris | Horn Book Magazine Issue: July, 2025

(2) 4-6 Translated by Alain Serge Dzotap. Illustrated by Marc Daniau. Adi, short for Adidjatou, lives in Cameroon. "I'm now thirteen dry seasons and as many rainy seasons old." She narrates this compelling, heavily illustrated story, which is based on the experiences of a real Cameroonian girl who escaped before being forced into an early marriage. Adi is part of the Mbororos, a nomadic people who are increasingly settling in villages, which works in her favor because she's able to attend school. She is big sister to six siblings, and she loves her happy life making dolls for her sisters, swimming, and dancing. When her uncle Amadou suddenly announces that she is to be married off, Adi and her family are heartbroken. Rather than submit to this "social practice," they hatch a plan to move Adi to safety, and her story ends well. The pages are beautifully illustrated, moving between spreads with striking oil paintings and those with colorfully patterned pages opposite window-paned text. Ample back matter includes a glossary and additional information about the real Adi's story as well as Cameroonian language and culture. Readers may need support due to subject matter; however, because the practice of child marriage is still ongoing, the awareness raised by Adi's tale, and its gentle approach, makes this a valuable read.

Reviewer: Monique Harris | Horn Book Magazine Issue: July, 2025

(2) K-3 Illustrated by Gordon C. James. Few writers have commanded the English language like James Baldwin (1924-1987). As a child in Harlem, Jimmy was expected to care for his eight siblings while his mother did domestic work. He endured a domineering stepfather, bullying, racism, and police violence. All the while, he escaped through the world of words and books. He eventually moved to France, where he used his pen to reconcile his experiences as a Black man in the United States. The result was his first novel, Go Tell It on the Mountain, which sparked a successful literary career. Harris lyrically narrates Baldwin's childhood and his pathway to becoming a published author, highlighting how reading captivated him at a young age ("in the library, Jimmy could hear the books singing to him") and capturing the essence of a man whose literature still resonates today. James's oil on board illustrations are resplendent in rich jewel tones, with double-page spreads that are at times reminiscent of impressionist paintings. The delight of the library stacks, the fervor of Sunday service, the solitude on a hill in Central Park are all lavishly rendered. This is a beautiful tribute to Baldwin and the book that ignited his career. Back matter includes more information about Baldwin and a list of select sources, along with author and illustrator notes. Pair with Meadows and Law's Jimmy's Rhythm and Blues: The Extraordinary Life of James Baldwin (rev. 3/24).

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2025

(1) 4-6 Illustrated by Daniel Minter. Toni Morrison (1931-2019), a gifted student, was the only Black girl in her Lorain, Ohio, first-grade class. She grew up to be a trailblazing book editor and a Pulitzer- and Nobel Prize-winning author who stands as a giant in the pantheon of literary greats, all while navigating the world as a Black woman. Pinkney honors her legacy with a sophisticated narrative ode in verse. Weaving biographical moments together with exaltation and admiration ("Oh, Toni Morrison, / you liberate all of us. / You -- let us breathe"), Pinkney conveys not only a life dedicated to the artistry of the written word but also the woman behind the pen. Minter, who uses mixed media that includes hand-painting, acrylic, and digital techniques, says in an appended note that he framed the work as a "praise poem." The art is awash in saturated tones and bold, almost oversized renderings of Morrison that become transcendent with the intricate white lines that are meticulously included on every page. Each spread is full of beauty, depth, and movement honoring one whose life's work amounts to a love letter to Black people. Back matter includes statements from the author and artist, biographical timelines, and a list of Morrison's selected works. Pair with Weatherford and Thompson's A Crown of Stories: The Life and Language of Beloved Writer Toni Morrison (rev. 5/24).

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2025

(2) K-3 Illustrated by Lewis E. B.. "SNAP!" The camera clicks on a young boy creating chalk art. "SNAP!" The camera finds a crumpled soda can on the street. Photographer DeCarava (1919–2009) depicts the people, places, and spirit of Harlem. A spare, poetic text emphasizes his love for the neighborhood where he grew up, which was the subject of his long, prolific career. In addition to his photography and other artwork, DeCarava also taught for more than three decades. Lewis's realistic illustrations take on a painterly tone with soft, muted colors and effective play between light and shadow. The watercolors create a fluid, dreamy world where DeCarava could quietly snap away while walking the streets of Harlem on a warm, sunny afternoon. The pictures portray a neighborhood in motion, not directly aware of the artist who spent a lifetime reflecting the vibrancy of a place and people. Back matter gives biographical information and a timeline of the artist's life, providing a more complete picture of one of the most influential Black photographers of our time.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2024

(1) K-3 Illustrated by Ekua Holmes. Adapted from King's autobiography, this picture book offers a new generation the remarkable story of the activist, artist, wife, and mother whose grace in the face of unspeakable loss continued the momentum of a movement. Beginning with glimpses into her childhood in segregated Alabama, King (1927–2006) describes being the second Black student admitted to Antioch College (her older sister Edythe was the first) and her fight to teach in Ohio -- readers see that her pursuit of equality started long before she met and married Martin Luther King Jr. The first-person retelling of events such as the March on Washington is compellingly personal. Holmes's vibrant illustrations (in acrylic with elements of collage incorporating print and photos) saturate the pages with color. The illustrations also take great care in communicating the very human emotions that King and her family experienced in scenes including her surrounded by her young children at the piano; a phone receiver hanging from its cord at the news of MLK's death; and her speaking to a crowd despite her grief just hours after arriving in Memphis. Art and text bring this civil rights icon to life, reminding readers of a dream yet to be fully realized. Back matter includes a timeline of her life and major events.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2024

(2) K-3 Illustrated by Loveis Wise. "Our stories can change the world." Carl Hansberry's words and courageous example were an inspiration to his daughter Lorraine (1930-1965). From a young age, Lorraine knew she wanted to share the stories that seemed to swirl around her in her Chicago neighborhood of Bronzeville. Soon, she would come to understand racism in a very real way as her parents purchased a home in an all-white neighborhood, fighting all the way to the Supreme Court for their right to live there. Lorraine understood that she contained a multitude of stories and sought various avenues to share them, eventually settling on playwriting. With contemporaries such as James Baldwin and Langston Hughes, Hansberry rose to prominence as the first Black woman to open a play on Broadway: A Raisin in the Sun. This picture-book biography is a forthright and well-researched telling of Hansberry's life story (though without source notes and likely with invented dialogue), including her queer identity as a lesbian. The illustrations are a rich, vibrant testimony to a trailblazing writer and activist. Boldly colored spreads highlight Hansberry and the people and relationships in her life and draw viewers into the scenes. Readers will find here a seminal message from the writer's experience: embrace who you are and live your truth; your story matters.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2025

(2) YA "I guess magic ran out / or the city burned too bright / or maybe, I guess the ancestors / in the sky had a different plan." Onyx, who is Black, carries the weight of the world on his young shoulders. At twelve, he is coping with the loss of his grandmother and is now caring for his mother, who has early-onset dementia. Onyx lives each day fearful and anxious that he will be separated from his mom and feels he has to keep her illness a secret. It's a lonely and difficult period for the boy; however, his mind is also in the clouds -- more specifically, in the stars, as his fascination with space and flying offers him a place of respite and a possible solution to his dilemma. Before her passing, Onyx's grandmother had encouraged his vivid imagination and his dreams of becoming an astronaut. Written in verse, this tender story is set in the aftermath of the assassination of Dr. Martin Luther King Jr. and the subsequent uprisings, which leave an indelible impression upon the protagonist, adding to his unease and his need for safety. Onyx proves a resourceful, compassionate character whose village shows up for him and his mother and relieves him of the burdens that he has carried alone for too long. As Onyx's departed grandmother shares with him in a dream: "Kids shouldn't have to do what adults should be doing."

Reviewer: Monique Harris | Horn Book Magazine Issue: November, 2024

(1) YA Illustrated by Danica Novgorodoff. "Be like water," Isaiah says. "Always," Darius replies. These are the final words the boys say to each other before Darius takes off on his bicycle to break the Guinness world record for a wheelie. Isaiah is in charge of watching for cars, but a chaotic, unexpected confrontation ends with a tragic fatal accident. Isaiah and his other best friend, Drew, each deal with grief and guilt in their own way: Isaiah wants to open up about his pain, while Drew withdraws. Written in verse, this resonant coming-of-age novel flows with accessible language that quickly draws readers into the story; emotionally moving grayscale illustrations are interspersed. After Isaiah is violently attacked, he begins to shut down, and his mother sends him to visit relatives in North Carolina. There, Isaiah begins a journey of self-acceptance and unpacking of the emotional weight he has been carrying. Williams (Genesis Begins Again, rev. 1/19) handles the sensitive topics of death, grief, racism, violence, and racial and gender expression with care, making sure the narrative doesn't become overly dark and heavy. The novel's focus on Isaiah's inner world allows readers to witness the evolution of a thirteen-year-old Black boy dealing with life-altering events, navigating challenging relationships with friends and family, and, finally, feeling comfortable enough to reveal his full self in the process.

Reviewer: Monique Harris | Horn Book Magazine Issue: May, 2024

(2) YA Sharkita is always waiting for the other shoe to drop, although her life finally feels like it is on the right track. Her mom is now employed and sober, and Kita has been reunited with her two younger siblings, Lamar and Lilli. Letting her guard down slowly, she tries to be a regular middle schooler hanging out with friends and even trying out for the twirl squad. Unfortunately, the stability of her family begins to unravel, and a series of events lands the siblings in foster care once again. After an assault leads to her hospitalization, Kita finds she needs to summon her courage to start over, and hopefully this time will be different. A heart-wrenching tale of family disruption, this story is one of adaptation and resilience. However, the trauma of separation that the protagonist is forced to endure fills her with anxiety. Despite the efforts of such helpful adults as the new assistant principal, she constantly attempts to put on her bravest face to protect the fragile snippets of peace at home. Winston's (The Braid Girls, rev. 7/23) story will resonate with some while offering others a window into a life of abuse and upheaval.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2024

(2) YA Luna, Heavenly Water, menses, period, monthly moon--menstruation by any name is a fact of life for the BIPOC main characters in these short stories that focus on cultural celebrations, social stigma, gender identity, and the myriad physical and emotional changes taking place during puberty. Christina Soontornvat's "Rules of the Lake" is a humorous and touching tale of a Thai American girl who is surprised by her first period during a school field trip. "Turning Point" by Leah Henderson is about a Black soccer player and her ballet instructor mother who find common ground in celebrating her first period. Mason J.'s "The Gender Creamsicle," written in verse, offers a much-needed perspective on the experience of a gender-nonconforming protagonist: "I am a gender Creamsicle: orange and white. / Not a Popsicle or ice cream. I am in between." The stories have broad appeal and are unified by a common thread of growing up. Issues related to race and gender, immigration status, and language diversity are set alongside culturally rich narratives about a singular and pivotal life event, giving young people an opportunity to feel seen, and less alone.

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2023

(2) YA Yolanda Alvarez, just turned sixteen, is coming into her own as a bright student and a budding bruja. Having learned Afro-Dominican ancestral spiritual practices from her grandmother, she follows the guidance of her tarot cards and her Bruja Diosas as she navigates life in the Bronx. In the midst of everyday teenage worries (including not wanting to be "treated like the pretty smart-and-basically-deaf girl"), Yolanda finds herself grappling with uneasy feelings about a mysterious and wealthy new white student as a vision makes her aware that he is dangerous. A gripping plot drives this deftly written novel that straddles the known and unknown worlds; Avila skillfully depicts the reality of growing up as a Black Latinx teen in the midst of racial violence and social upheaval. While ­outsiders in the story may see Yolanda's family, neighborhood, and school in a ­negative light, Avila carefully demonstrates the tremendous strength in Yolanda's community and the deep roots of her spiritual life, which keep her grounded as she steps into her full power.

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2023

(2) 4-6 Ebony (Eb) and De'Kari (Flow), both seventh graders, are suspended from school after a fight in the cafeteria that neither thinks is their fault. On the surface, this looks like a case of two unruly adolescents acting out. Flow is hurt and angry that Eb ruined the shoes his deployed father gave him; Eb says, "It was all just an accident! / Nobody was trying to mess up / his Stupid Ugly Shoes." Over the course of their two-week suspensions, both narrators have the opportunity to reflect and to rethink their actions. Are they really "bad kids," or are they just kids dealing with bad situations? This engaging verse novel reveals the complexities of their home lives, which, despite the kids' enmity, have similarities and are intertwined in surprising ways. Their alternating narratives employ authentic language and tone that give readers the opportunity to empathize with them as their stories unfold. Baptist (The Swag Is in the Socks, rev. 11/21) explores the effects of parental absence, inequitable school discipline, and social issues such as gang violence. This story will resonate with readers struggling to express their emotional lives in ways that society deems appropriate.

Reviewer: Monique Harris | Horn Book Magazine Issue: May, 2023

(2) 4-6 Sixth grader Zoe dreams of becoming a Pulitzer Prize–winning journalist, but her family's unreliable old computer is cramping her style. She has her sights set on the Horizon WordPro GT laptop, and since her parents won't buy one for her, she takes matters into her own hands. A school fundraiser offers Zoe the perfect opportunity: top prize for selling the most tubs of cookie dough is, in fact, the Horizon WordPro GT. Determined to walk away with the computer and defeat her nemesis, Zoe is laser-focused on winning and will do whatever it takes to come out on top--even if it tests her relationship with her best friend. Zoe's experiences are relatable; her passion for both her short- and long-term goals is believably conveyed. Baptist uses humor to explore themes of navigating family, school, and community; this story will resonate with anyone who has dreamed of winning big.

Reviewer: Monique Harris | Horn Book Magazine Issue: September, 2023

(2) PS Illustrated by Kaylani Juanita. Swimming is an important life skill, yet the legacy of systemic racism and continued inequities in the U.S. result in fewer Black children learning how. That makes this book, featuring a Black family of four, all the more meaningful. Enjoying a day at the pool, Ma teaches her young son how to swim as Dad and older sister (from [cf2Together We Ride, rev. 5/22) encourage and cheer him on. From the tentative "toe dip" to learning to float, kick, and stroke, the boy is supported by his family through his successes and a "small blunder." Eventually, he gets "in the zone" and swims on his own for the first time. Bolling's short rhyming text is accessible to those just dipping their toes into the reading waters. The illustrations in muted tones include lots of details: Dad's tattoo, Ma and Sister's swim caps, textured hair, and varied skin tones--cultural touches that embrace and celebrate diversity. Drawing viewers into the space of the pool, the perspective makes us feel as if we are immersed with the family. The book ends with the joyful exuberance of conquering one's fears and with the calming steadiness of a loving family.

Reviewer: Monique Harris | Horn Book Magazine Issue: November, 2023

(2) YA Principal Kenneth Moore is dead, shot in his office during a basketball game. The influential Black founder of the all-male Urban Promise Prep School and a pillar of the community, he sought to give the boys at his school a shot at college--at the cost of a draconian code of conduct. Three students of color--a talented basketball player, a bright college hopeful, and a budding culinary star and entrepreneur--are instant suspects in the crime, each with a motive for their principal's demise. Thrown together by their in-common circumstances, these three young men must become quick allies as they race to investigate the case and attempt to clear themselves of any wrongdoing. Will justice be served or will they fall victim to a flawed system? A riveting murder mystery wrapped in social commentary, the novel offers a fresh, contemporary take on an old-fashioned whodunit. It also shines a light on the plight of Black and Latino youth, who are often the targets of an inequitable and unequal justice system. Told from multiple perspectives with interspersed ephemera and extended flashbacks, the story builds to an exhilarating crescendo.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2023

(2) YA Twelve-year-old Lawrence is in a losing season of his young life. Due to his father's incarceration, Lawrence, his mom, and his little sister relocate from their home in Charlotte to rural North Carolina to live with his strict, no-nonsense grandmother. Then he's expelled from his predominantly white school for fighting. Feeling bullied and betrayed, Lawrence starts volunteering at the Carver Recreation Center in order to keep busy and get out of the house. There he meets Deuce, a possible nemesis, and Twyla, a crush who gets him interested in learning chess. When the opportunity to return to Charlotte as part of a chess team comes up, it could be just the thing to turn around his current losing streak. Giles (Take Back the Block, rev. 7/21) gives readers another memorable character in Lawrence, a relatable middle schooler who feels misunderstood and alone but finds support in his community. Chess becomes a metaphor for life as he learns to navigate his current challenges. A sensitive yet joyful narrative about redemption, the story also nods to issues such as inequitable disciplinary practices in schools; the negative impact of incarceration on families; racism; and classism. The importance of caring adults and of working through conflict are highlighted in this well-written story about a boy who deserves a win.

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2023

(1) K-3 Illustrated by Oge Mora. "I come from / early morning wake-ups, / handcrafted blankets / knitted with memories." A young Black boy arises from his cozy bed and finds Dad in the kitchen making his favorite breakfast of pancakes and pan-fried bologna. Readers accompany the (unnamed) character as he rides the rowdy school bus, plays in the schoolyard, and endures a "looooong school day." After a visit to the neighborhood store, he returns home to his loving family and, finally, climbs back into his bed at night. While describing a seemingly ordinary routine, the lyrical text is a journey through Black language and culture, evoking a sense of identity, community, and connectedness: "Cotton candy hair / and razor-sharp line-ups. / High fades and / low fades, / tight ponytails / and laid edges. / What's up y'all?" Mora's mixed-media illustrations enhance the poetic storytelling. The colorful collage-work adds texture and motion to the pages, while selective hand-lettering emphasizes parts of the verse. On one spread that mentions microaggressions toward the narrator ("Can I touch your hair?" "Where are you from?"), the questions take over the pages, visually communicating the isolating feeling of being othered. This beautifully rendered picture book serves as a reminder of the importance­ of familial and cultural identity and the grounding that it offers in the wider world.

Reviewer: Monique Harris | Horn Book Magazine Issue: September, 2023

(1) K-3 As Harrison writes in her author's note, "In childhood, big is good. Big is impressive, aspirational. But somewhere along the way, the world begins to tell us something different: That big is bad. That being big is undesirable." Words matter, as a beautiful little Black girl learns. The girl, a dancer who wears a leotard and tutu throughout the book, "grew and learned and laughed...and grew and grew and grew. And it was good...until it wasn't." When she accidentally gets stuck in the baby swing on the school playground, her classmates and even her teacher hurl hurtful words and laughter, which begin to affect the youngster's self-esteem and self-perception. The text is spare but pointed; Harrison's emotionally powerful, pink-hued illustrations focus on her protagonist's inner experience. The girl looks like a giant in school and at dance class, "exposed, judged, yet invisible." The openness of the illustrations gives way to more cramped and overwhelming compositions as the girl, now in blue-gray, feels increasingly hemmed in by others' judgments--a visible statement about the impact of fatphobia and the adultification of Black children. This girl's story ends triumphantly; she takes her teacher's and classmates' hateful words and hands them back, saying, "These are yours. They hurt me." This book offers readers an opportunity to remember that we all deserve love and respect--no matter what size we are.

Reviewer: Monique Harris | Horn Book Magazine Issue: May, 2023

(2) YA Former best friends Celine and Bradley are now enemies and academic rivals. When they both jump at the opportunity to participate in a wilderness competition with a scholarship attached and end up on the same team, they are forced to work together to achieve their individual goals. They also work through what tore them apart in the first place while realizing that there could be more to their feelings. In her debut YA novel, British romance writer ­Hibbert offers an entertaining, laugh-out-loud tale featuring memorable Black characters. The alternating first-person narration of the England and Scotland–set story allows for introspection and reveals the nuances of the multifaceted protagonists. Popular jock Bradley is bisexual and lives with obsessive-compulsive disorder, which the author includes without centering or treating as problematic. Celine, struggling with ­abandonment issues related to her father, can be abrupt and emotionally closed off but is also a compelling and amusing character. Along with a constellation of well-drawn secondary players, Bradley and Celine's skillfully written romantic banter make this an engrossing rom-com.

Reviewer: Monique Harris | Horn Book Magazine Issue: March, 2023