(2) YA When seventh grader Finn Connelly is caught on a surveillance camera kicking over a headstone in a local Lake Placid cemetery, little does he know it was the grave of Edna Grace Thomas, "Queen of the High Peaks," one of the first women 46ers: those who have climbed all forty-six Adirondack High Peaks. Edna's daughter, Kelly, sets Finn on a mission of atonement: to climb all forty-six mountains in memory of her mother. She suspects that Finn can use what the peaks offer: "The power to heal. / To help a troubled soul find peace. / Make a broken person whole." Finn begins a hero's journey, accompanied by Seymour, "the most slobbery, / drooly-faced, / smelly-furred, / farty-butted dog / in the world," along with a series of 46er "trail nannies," and soon realizes that "the trouble with long hikes / is that your brain has to come with you." He has plenty of time to think about the mess he has made of his life recently and about his anger and grief over the (unprocessed) loss of his father two years earlier. Messner relates Finn's story through an animated first-person narrative and through the poems Finn must write for a school project, mixing in text messages with his mother, letters to his English teacher, cookie recipes, and more. This verse novel covers a lot of ground, literally and metaphorically, and thoughtfully grapples with the big ideas of life.

Reviewer: Dean Schneider | Horn Book Magazine Issue: March, 2025

(1) K-3 Illustrated by Chris Raschka. The very definition of music is explored in this thoughtful look at Cage's (1912–1992) controversial musical composition, 4'33", a work that debuted with a pianist "performing" four minutes and thirty-three seconds of silence in a barn in Woodstock, New York, in 1952. While there was no piano performance in the traditional sense, the absence of music amplified other sounds, such as whispers, coughs, chairs moving, and the noises of the outside world. Cage believed that "there is always something to hear inside the silence," and the book encourages readers to listen even when it feels like there is nothing to hear. It also emphasizes the art of doing nothing. Twice, the word nothing is scrawled in cursive on a double-page spread featuring just that word, giving readers space to pause and absorb the concept. Raschka's stunning illustrations further these heady concepts: staff lines, disembodied notes, accidentals, and oddly placed clefs visually capture Cage's spirit. Watercolor, pencil, and ink lend themselves well to the task of representing audiences, musicians, and experimental sound art, offering details at times and at other times just suggesting things through outlines and splotches of color. The book deftly pivots in time between Cage's childhood, the Woodstock performance, and his impact on music broadly. Extended back matter on Cage's life and work round out the book. Pair this introduction to the experimental musician with Rogers and Na's Beautiful Noise7 (rev. 11/23).

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: March, 2024

(2) K-3 From a red cabin in a forest, the young protagonist calls for her dog. "Peppermint! Where is that pesky pup? I'm going out to look for Peppermint! You come too." In the panel-style illustrations that follow, the girl takes readers on a tour of her favorite features of the forest, while the cagey Peppermint comments from a circle inset on each spread. When there are reminiscences (about the time, for instance, when Peppermint came home with a snout full of porcupine quills), the action appears as childlike drawings in the girl's sketchbook (Peppermint: "Maybe not my finest hour"). A mix of the informative and the homey, the narration encompasses elements of history and geology (how millennia earlier, glaciers dropped erratic boulders), botany, zoology (the time a coyote chased them home and they later returned to find its den), and folk wisdom (how to make a whistle out of an acorn cupule), in a visually inviting and intellectually stimulating way. When the naughty Peppermint is at last reunited with her owner, they're rewarded with one of the girl's life-list ambitions: the sight of an elusive fisher regarding them silently from high in a tree. The back matter includes a note from the author about his home and a map showing the Adirondack Mountains, sidebars about porcupines and fishers, and a list of "a few good forest books."

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: January, 2024

(2) YA A teenager newly arrived in the United States from Nigeria uses movies such as Sixteen Candles, Mean Girls, and Heathers to prepare for attending an American high school. Enore Adesuwa's family immigrates just two months after the death of her father. Her younger sister appears to adjust more easily to life in a small town in New York's Hudson Valley than Enore, who spends most of her time at home watching DVDs. These movies influence Enore to set ten rules about surviving in a U.S. high school; e.g., steer clear of the popular kids, "no crushes," and avoid the spotlight, rules she breaks when her audition for the school musical goes viral. And rules or no rules, sparks fly during a chance encounter with cute Brazilian American boy Davi Santiago. Their friendship leads to an eventual romance, which helps Enore to deal with her grief. Davi also helps the protagonist handle her fear of disappointing her mother, who is pressuring her to follow in her footsteps and become a doctor. Igharo deftly handles the excitement, intensity, and confusion surrounding young love as well as the mountain of emotions one goes through when mourning a loved one, through characters who are relatable and genuine. A highly entertaining and heartwarming story with a couple to root for.

Reviewer: | Horn Book Magazine Issue: September, 2024

(2) 4-6 Since narrator Fern was six, she and her mother have lived on the Ranch, an isolated "sustainable futurist community" in upstate New York. Now twelve, Fern is completely accustomed to the unquestioned authority of Ranch leader Dr. Ben and his "ideals," which emphasize a reverence for nature. Readers may begin to realize long before the protagonist does that the Ranch's way of life has its flaws; as the story opens, a teen community member has died during a rite of passage. But still, when Mom recognizes those extremes and escapes to California with Fern, it's understandable that Fern finds the outside world scary and, even as she begins to reacclimate, is determined to find a way to go "home." As in Lasagna Means I Love You (rev. 3/23), O'Shaughnessy presents a high-stakes situation and zeroes in on a child narrator's believable emotions. That tight focus on the young narrator even when she is misguided or doesn't have all the facts allows readers to draw their own conclusions based on the gradually increasing information she has -- about the events that led her mother to choose the Ranch, and in separating what can sound like positive environmentalist values from the dangerous reality of a cult.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: May, 2024

(2) K-3 Illustrated by Kaylani Juanita. Born in 1924 Brooklyn to immigrant parents (from Guyana and Barbados) who worked in low-wage jobs, Chisholm was attuned from a young age to the social and economic inequities around her. After a discussion of Chisholm's early years (she excelled academically), Cline-Ransome focuses her picture-book biography on Chisholm's illustrious and groundbreaking career, which included winning a seat in the New York State Assembly and election to Congress, where she served seven terms. Following her historic though unsuccessful presidential bid, she continued to pursue her fight for affordable childcare, access to education, and a living wage. Describing Chisholm as "small, but she talked big, walked tall, and told just about everybody what to do," Cline-Ransome highlights her subject's "loud and proud" and determined personality, often incorporating Chisholm's own words into the narrative. Juanita's digitally rendered illustrations are energetic and strikingly portray person and purpose, especially in the wordless double-page spread of Chisholm standing poised to begin her first term in Congress against a vivid backdrop of fireworks and the U.S. Capitol building. Pair with Bolden's Speak Up, Speak Out! (rev. 3/22), Williams's Shirley Chisholm Dared (rev. 9/21), and Russell-Brown's She Was the First (rev. 11/20).

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: September, 2023

(2) YA Aspen is an exclusive Catskills summer camp, ruled by elitism, segregated by gender, and rife with long-entrenched sexism and homophobia. Returning to Aspen after a traumatic exit years before is Mars, a genderfluid teen who believes the camp caused their twin sister's death. Alongside the pedestrian oppressiveness of this summer camp is something more alarming: memories vanish, as do people. With only one ally among the boys, Mars is drawn to the girls who tend the camp's beehives. But the girls (and bees) are as sinister as they are welcoming. They hide Aspen's gruesome secrets, and Mars will risk everything to uncover those secrets. This horror novel perfectly understands its genre, drawing out unease, disorientation, and grotesqueness through its language, the supernatural, and everyday evils. Mars is a strong lead, a character of fury and persistence. La Sala's prose is dripping and heady, unapologetically gothic enough to build tension and carry readers through the more surreal portions of the story. With laser focus, the narrative arrives at its conclusions through a delicious balance of restraint and clamor. La Sala strikes all his targets: navigating gender in hostile environments; grief; the monstrous gluttony of wealth; violence; young queer desire; and yes, very scary bees.

Reviewer: Anne St. John | Horn Book Magazine Issue: November, 2022

(2) YA Eighth graders Jake, Cassie, Lily, Nick, and Mac all face very different, complicated struggles, but each has found comfort and confidence in a musical instrument and now in one another in a special class at their Upstate New York middle school. "Any dumb thing that might have happened before this doesn't matter anymore, because it's a good day whenever it's Jazz Lab day." The third-person-omniscient narrative alternates among the perspectives of these five characters plus one more: a detached, defiant, and chronically misunderstood student known as Quagmire. As their stories knit together and unforeseen circumstances threaten the future of Jazz Lab, these students find themselves at risk of losing what they depend on to propel them through their daily challenges. Each distinctly developed character has an engaging story and voice. As they plot to save Jazz Lab (and ultimately many other small electives and activities), the novel's pacing heightens and intensifies. Their struggle to make their position heard by the cast of outrageously obtuse adults both at home and at school--with a few effective exceptions--creates the perfect amount of tension to draw readers in to a funny, sad, and heartwarming story that celebrates the importance of independence, belonging, and the arts.

Reviewer: Julie Roach | Horn Book Magazine Issue: September, 2022

(2) 4-6 Fifth grader Sofía is proud of her Cuban American heritage and of her family's reputation in the ballet world: her parents danced with the Ballet Nacional de Cuba; her sister, Regina, is on a path to the American Ballet Theatre; and her little brother, Manuel, plays Fritz every year in The Nutcracker. Sofía dances, too, but her passions are more in visual arts and costume design. The Acostas are famous for their openness and generosity; their home is known as the Acosta Accordion "because sometimes it's just my family, like an accordion smooshed to the smallest setting. Sometimes the accordion expands and we have my parents' friends or relatives or a million of Manuel's and Regina's friends over. That's the biggest setting." When friends from Cuba come to visit--the ballet-dancer son is guest-performing a tribute to Alicia Alonso--Sofía learns more about her background while complicating what she already knows about her family, her closest friendships, geo-politics, the arts, and what makes a home. Sofía's voice is authentically tweenlike, as are the conclusions she draws and the realizations she makes; Spanish is naturally incorporated into the dialogue. In the Acostas, Otheguy has created a close-knit family whose warmth, kindness, and openhearted honesty will both educate readers (about the ballet world and Cuban history) and welcome them in.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2022

(2) YA Hannah doesn't think too deeply about why her peripatetic mother, Malka, has always moved their family from place to place. Now, having earned a scholarship to a prestigious high school, high-achieving Hannah thinks she's finally convinced Mom to settle down. Then she wakes up on her seventeenth birthday to eyes that have turned golden and snakelike. The next day it's fangs. And then Mom disappears. An anonymous letter draws Hannah (now with ram's horns) and her older brother to a small town in upstate New York in time to sit shiva for Jitka, the grandmother they never knew, and to meet the rest of their extended Jewish family. Hannah suspects that Mom is nearby; and in uncovering her family's past, she believes she can solve the mysteries surrounding her own bodily transformations. Her search leads her to Jewish mysticism and folklore--and to the golem hidden in their barn. Interspersed chapters relate the tale of Malka's doomed teenage love affair and of Jitka's youth in Prague. Themes of family, love, identity (including LGBTQIA+ identities), betrayal, and redemption blend well with the author's meditations on religion, ancestry, dreams, storytelling, and the significance of names and naming. Hannah is an engaging protagonist, and her interactions with her family members and the ­supernatural beings she encounters guide this layered tale to a suspenseful and satisfying conclusion.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2022

(2) YA Ely ("pronounced, he always said, to rhyme with freely") Samuel Parker was "a man who more than any other walked with honor in two worlds." The boy with the Seneca name Ha-sa-no-an-da was born on the Buffalo Creek Reservation in Upstate New York in 1828, attended "English" schools, and would come to occupy "a unique and special place in American history." When Robert E. Lee surrendered at Appomattox Court House in 1865, it was Brevet Brigadier General Parker, then Ulysses S. Grant's personal secretary, who wrote the official terms of surrender. In a long life of public service, Ely Parker was a major voice of the Iroquois Confederacy, an engineer for the Genesee Valley Canal, a commissioner for Indian Affairs, and a successful Wall Street investor. Bruchac relates Parker's story clearly, honoring the dual context within which Parker lived, and placing his life within the context of his times, including the struggles of Native Americans to preserve their lands, the Civil War, the assassination of Abraham Lincoln, and Reconstruction. Numerous archival photographs, paintings, and a map are used to good effect, and back matter includes a timeline, source notes, bibliography, and notes on the use of Native names throughout the volume.

Reviewer: Dean Schneider | Horn Book Magazine Issue: January, 2021

(3) YA Four very different teenage girls go from strangers to unlikely friends while sharing a summer home in the Adirondacks. In chapters that alternate between their perspectives, each girl also faces an individual challenge, such as dealing with a chronic illness or a public family drama. A vivid setting, light tone, and distinct characterization will appeal to fans of Ann Brashares.

Reviewer: Jessica Tackett MacDonald

(3) YA In this compelling piece of historical fiction, young Margaret Sanger watches her consumptive mother in near constant childbirth while helping to raise her many siblings. Margaret is painted as a feisty, free-spirited young woman frustrated by her limited options in the late 1880s. The novel doesn't cover her adult feminist activism or founding of Planned Parenthood, but a historical note explains more. Bib.

Reviewer: Kristy Pasquariello

(2) YA Acerbic, aimless teen Serena Velasco wants out of her "small and grimy" upstate New York factory town; so does her best friend, beautiful and dreamy Melody Grimshaw, who hopes a dance career is her ticket out. In this bleakly realistic story, Serena struggles to untangle her identity from Melody's as their futures begin to diverge. This is a raw, atmospheric depiction of a complicated relationship that unflinchingly faces hard questions about class and friendship.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: November, 2019

(2) YA In this rich, honest companion novel to If I Ever Get Out of Here, seventeen-year-old Carson and fifteen-year-old Maggi prepare for a high-stakes Battle of the Bands. Their alternating first-person narratives, set in 1980 on the Tuscarora Indian Nation near Niagara Falls, offer an intimate look at the teens' lives within their Indigenous culture, which embraces modern popular culture but still often faces outsiders' abuse.

Reviewer: Dean Schneider | Horn Book Magazine Issue: May, 2018

(4) YA YouTube performer and standup comedian Hofstetter was bullied in high school by classmates, unnerved by family dysfunction, and socially insecure with the opposite sex. Structured to resemble the acts in a comedy show, his entertaining and honestly written (though sometimes repetitive) memoir mines his high school, synagogue youth group, and summer camp experiences for high and low points.

Reviewer: Jack Forman

(3) 4-6 Illustrated by Rebecca Crane. After Annie's family moves from Brooklyn to rural Clover Gap, quiet Annie hides her quirks, including her amazing memory and orderly thinking. But soon the fifth grader makes new friends and learns to be--and speak up for--herself. Decorated with simple yet lively spot illustrations, the story is primarily told in a series of lists (e.g., "Four reasons I'm quiet"), which emphasizes Annie's perceptive and clever personality.

Reviewer: Mariko Turk

(2) 4-6 In sleepy Wolf Creek, New York, a prison breakout sets the community on edge and brings racial tensions to the surface. Messner tells the story through letters, transcriptions, newspaper articles, and other items the three girl protagonists gather for a school time-capsule assignment. Doses of humor and details about the main characters' everyday lives help leaven the story, which delivers timely and relevant messages.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: May, 2018

(3) YA Sixteen-year-old Harriet Winter, the eldest daughter in a farming family, lives in the wilds of New Hampshire in 1807, where she is expected to cook, clean, and marry her neighbor. Determined to control her own life, Harriet disguises herself as a boy and goes pioneering. The sweet, slow-burn romance that plays out for smart, progressive-thinking Harriet makes for a pleasurable, affecting read.

Reviewer: Kristy Pasquariello

(3) YA The whirlwind insta-romance of seventeen-year-old Betts and nineteen-year-old Aiden deflates just as quickly as it begins when abusive, obsessive Aiden starts showing his true colors. Fast pacing draws readers into Betts's world and reflects the intense nature of abusive relationships. Rissi sustains reader interest with dynamic secondary characters--such as Betts's best friend, Jo--who wholeheartedly support and protect Betts. Domestic violence resources are included.

Reviewer: Lana Barnes